不要动，来自“The Graphic”圣诞数字 - 美国大都会艺术博物馆展品查阅

品名（中）	不要动，来自“The Graphic”圣诞数字
品名（英）	Don't Move, from "The Graphic" Christmas Number
入馆年号	2019年，2019.279.26
策展部门	绘画和印刷品（Drawings and Prints）
创作者	William Small【1843 至 1931】【英国、苏格兰人】
创作年份	公元 1884
创作地区
分类	印刷品（Prints）
尺寸	页: 12 13/16 × 9 5/16 英寸 (32.5 × 23.6 厘米)
介绍（中）	斯莫尔被认为是他那个时代最成功的插画家。1865年，他在苏格兰出生并接受训练，搬到伦敦，在皇家学院和皇家学会展出油画和水彩画。他为《一周一次》、《Good Words》和《The Graphic》设计了木刻作品，并为托马斯·哈迪的《Jude The Obscure》绘制了插图（作者珍藏了原始图纸）。这种大尺寸彩色印刷品再现了一个迷人的家庭主题，被"The Graphic"选为1884年圣诞节向订户发放的奖金。女孩抱着的黑色边椅、漆制橱柜和瓷器都反映了那个时代的日本美学品味。父亲的制服将他与步兵联系在一起，也许是威灵顿公爵的军团。像这样的大型彩色木雕是用多个块制作的，需要仔细印刷。因此，它们的生产成本很高。
介绍（英）	Small was considered the most successful illustrator of his time. Born and trained in Scotland he moved to London in 1865 and exhibited oils and watercolors at the Royal Acadmey and Royal Institution. He designed wood engravings for "Once a Week", "Good Words" and "The Graphic" and illustrated Thomas Hardy's "Jude the Obscure" (the author treasured the original drawings). This large color print reproduces a charming family subject, selected by "The Graphic" as a bonus issued to subscribers at Christmas in 1884. The black painted side chair held by the girl, lacquered cabinet and porcelains all reflect Japoniste-Aesthetic taste of the period. The father's uniform connects him to the infantry, perhaps the Duke of Wellington's regiment. Large colored wood engravings such as this were made using multiple blocks and required careful printing. They were, as a result, expensive to produce.