Vase，罗马Trastevere的圣塞西莉亚（61。罗马塞西莉亚（花瓶）） - 美国大都会艺术博物馆展品查阅

品名（中）	Vase，罗马Trastevere的圣塞西莉亚（61。罗马塞西莉亚（花瓶））
品名（英）	Vase, Santa Cecilia in Trastevere, Rome (61. Rome Sa. Cecilia (vase))
入馆年号	2019年，2019.71
策展部门	摄影（Photographs）
创作者	Joseph-Philibert Girault de Prangey【1804 至 1892】【法国人】
创作年份	公元 1842
创作地区
分类	照片（Photographs）
尺寸	图像: 3 1/2 × 4 1/2 英寸 (8.9 × 11.4 厘米) 整体 with mounting: 4 3/4 × 5 7/8 × 5/16 英寸 (12 × 15 × 0.8 厘米)
介绍（中）	Girault de Prangey在东地中海摄影之旅的第一站在罗马拍摄，他在特拉斯提夫雷圣塞西莉亚教堂的院子里看到了一个超大的坎塔罗斯形状的花瓶，这是他最具独创性的作品之一。Girault的低视角使这只大花瓶成为纪念碑，但他决定用正面观察的方式拍摄它的把手，从而最大限度地降低了它的雕塑质量。由此产生的图片存在于一个压缩和扁平的空间中，这进一步强调了从花瓶口喷出的树叶 Girault在罗马的旅居部分记录在罗马法兰西学院院长写的信中，信中报告说，这位勤奋的艺术家在离开这座城市时已经制作了300多个银版，在他的相机前拍摄了"经过的一切"。
介绍（英）	Made in Rome on the first leg of Girault de Prangey's photographic journey through the Eastern Mediterranean, his view of the oversize, kantharos-shaped vase in the courtyard of the church of Santa Cecilia in Trastevere is one of his most original compositions. Girault's low vantage point monumentalizes the large vase, but his decision to photograph it with its handles viewed head-on minimizes its sculptural quality. The resulting picture exists in a compressed and flattened space, which further serves to emphasize the spray of foliage bursting from the mouth of the vase. Girault's Roman sojourn is partially documented in letters written by the director of the French Academy in Rome, which report that the industrious artist had made more than three hundred daguerreotypes by the time he left the city, having photographed "everything that passed" in front of his camera.