Eguchi的宫廷 - 美国大都会艺术博物馆展品查阅

品名（中）	Eguchi的宫廷
品名（英）	Courtesan of Eguchi
入馆年号	2018年，2018.853.26
策展部门	亚洲艺术（Asian Art）
创作者	Katsukawa Shunshō 勝川春章【1726 至 1792】【日本人】
创作年份	公元 1770 - 公元 1839
创作地区
分类	绘画（Paintings）
尺寸	图像: 14 7/8 × 20 7/16 英寸 (37.8 × 51.9 厘米) 整体 with mounting: 48 1/16 × 25 1/4 英寸 (122 × 64.1 厘米) 整体 with knobs: 48 1/16 × 27 3/8 英寸 (122.1 × 69.5 厘米)
介绍（中）	浮世绘艺术家Shunshō以木版印刷设计最为著名，他创作了这幅精细的画作，主题是Eguchi的妓女，她是一位12世纪的妓女，名叫Tae，住在大阪Eguchi特许经营区。据传说，一个雨夜，巡回僧侣诗人Saigyō（1118−1190）在返回寺庙的路上，在她的妓院停下来寻求庇护，他们的对话被视为对佛教形而上学的评论到了江户时期，人们普遍将太作为菩提祖师（梵语：Samanthabhadra）的化身，创造出戏仿版的太，菩提祖师通常被描绘成骑着大象，这是他的神圣交通工具。Shunshō以妓女的身份呈现菩萨，证明了佛教的观念，即外表是不真实的，神圣和罪恶之间没有根本区别。
介绍（英）	Most famous for his woodblock print designs, the Ukiyo e artist Shunshō created this finely executed painting on the theme of the courtesan of Eguchi, a twelfth century prostitute named Tae who lived in the Eguchi licensed quarters in Osaka. According to legend, one rainy night the itinerant monk poet Saigyō (1118−1190), while on the way back to his temple, stopped at her brothel seeking shelter and their dialogue was seen as commentary on Buddhist metaphysics. By the Edo period it had become common to create parodic versions of Tae as an incarnation of the bodhisattva Fugen (Sanskrit: Samanthabhadra), who is usually portrayed riding an elephant, his sacred vehicle. By presenting the bodhisattva in the guise of a prostitute, Shunshō demonstrates the Buddhist concept that appearances are unreal and that there is no fundamental difference between sanctity and sinfulness.