拿着烟斗的人 - 美国大都会艺术博物馆展品查阅

品名（中）	拿着烟斗的人
品名（英）	L'Homme à la pipe
入馆年号	1922年，22.63.106
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Marcellin Desboutin【1823 至 1902】【法国人】
创作年份	公元 1879
创作地区
分类	印刷品（Prints）
尺寸	页: 26 7/8 × 20 13/16 英寸 (68.2 × 52.9 厘米) Plate: 17 15/16 × 14 7/8 英寸 (45.5 × 37.8 厘米)
介绍（中）	尽管接受过律师培训，但Desboutin从拥有土地的家庭继承了相当多的财富，使他能够放弃自己的职业，转而追求对艺术的兴趣。在他的财富急剧下降后，他转向了版画，这为他提供了急需的财务保障，他所需的肖像画每幅都能获得100至200法郎。这幅自画像非常大，而且为迪斯布托创作了大量作品，描绘了一种新型艺术家。在这里，Desboutin并没有用传统的行业工具来表现自己，而是巧妙地塑造了一个波西米亚人的形象：他简单的夹克和蓬乱的头发，几乎没有戴在帽子下面，只会用烟斗来赞美。通过他肩上的直接凝视，这幅肖像的简洁和直接性得到了进一步提升。这幅版画被许多人认为是德斯布托的杰作，在1879年的沙龙上被授予三等勋章，在1900年的巴黎万国博览会上被授予荣誉勋章。
介绍（英）	Although trained as a lawyer, Desboutin inherited considerable wealth from his landowning family, enabling him to abandon his profession and instead pursue his interest in the arts. After a sharp decline in his fortune, he turned to printmaking, which offered much needed financial security with his in-demand portrait prints garnering from one to two hundred francs each. This self-portrait, unusually large and heavily worked for Desboutin, depicts a new type of artist. Here, rather than representing himself with traditional tools of his trade, Desboutin masterfully created an image of a bohemian: his simple jacket and disheveled hair, barely contained under a cap, are complimented only with a pipe. The simplicity and immediacy of the portrait is heightened further by his direct gaze over his shoulder. Recognized by many as Desboutin’s masterpiece, this print was awarded a third-class medal at the Salon of 1879, and a medal of honor at the 1900 Paris Exposition Universelle.