一群站立的僧侣和其他人物 - 美国大都会艺术博物馆展品查阅

品名（中）	一群站立的僧侣和其他人物
品名（英）	A Group of Standing Monks and other Figures
入馆年号	2018年，2018.512
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan Lievens【1607 至 1674】【荷兰人】
创作年份	公元 1630 - 公元 1640
创作地区
分类	图画（Drawings）
尺寸	页: 10 15/16 × 9 15/16 英寸 (27.8 × 25.3 厘米)
介绍（中）	Jan Lievens的这幅杰出的大幅作品是这位艺术家罕见的人物研究作品之一，他的绘画作品主要由风景画和肖像画组成。Lievens可能是伦勃朗早期的工作室伙伴，他职业生涯的大部分时间都在阿姆斯特丹以外的伦敦、安特卫普、海牙和杜塞尔多夫度过，他的流浪生活反映在他的作品中可以观察到的各种灵感来源和不同赞助人的需求上。他的主题和风格多种多样，导致这位艺术家的绘画作品往往无法正确归属。这幅画的底座上刻着18世纪Agostino Carracci的作品，然而，这里的用笔松散在风格上与Lievens的画作有关，包括杜塞尔多夫艺术博物馆的一张人物和头像研究表，以及私人收藏的一张河神图 Lievens在这里描绘的群体的性质仍然是个谜。这似乎是一场僧侣聚会，前面有两位方济各会教徒，但背景正确的高帽子在宗教人物中显得不合时宜，这表明，这种表现可能是对历史主题的研究，甚至是戏剧化的东西，而不是展示当代场景，正如伦勃朗在许多画作中所描绘的那样。
介绍（英）	This outstanding, large sheet by Jan Lievens is one of the rare figure studies by the artist whose drawn oeuvre is composed mostly of landscape and portrait drawings. Lievens, probably best known as Rembrandt’s early studio mate, spent a good deal of his career beyond the city of Amsterdam, in London, Antwerp, The Hague, and Dusseldorf and his peripatetic life is reflected in the diverse sources of inspiration and the demands of varied patronage that can be observed in his work. His varied subjects and styles have led to the artist’s drawings often eluding correct attribution. An 18th-century attribution to Agostino Carracci is inscribed on the mount of this drawing, however, the loose handling of the pen here relates stylistically to drawings by Lievens including a sheet of figures and head studies in the Kunstmuseum Dusseldorf and a sheet with a river god in a private collection. The nature of the group that Lievens depicted here remains a mystery. It seems to be a gathering of monks with two Franciscans at the front but the tall hat in the right background, out of place among the religious figures, suggests that, instead of showing a contemporary scene, the representation could be a study for a historical subject or even something theatrical, as Rembrandt also rendered in a number of drawings.