伊势传说中的场景：“乌苏山” - 美国大都会艺术博物馆展品查阅

品名（中）	伊势传说中的场景：“乌苏山”
品名（英）	Scene from the Tales of Ise: “Mount Utsu”
入馆年号	2015年，2015.300.91
策展部门	亚洲艺术（Asian Art）
创作者	Fukae Roshū【1699 至 1757】【日本人】
创作年份	公元 1700 - 公元 1733
创作地区
分类	绘画（Paintings）
尺寸	图像: 8 13/16 × 18 1/8 英寸 (22.4 × 46 厘米) 整体 with mounting: 43 11/16 × 25 9/16 英寸 (111 × 65 厘米) 整体 with knobs: 43 11/16 × 27 5/8 英寸 (111 × 70.2 厘米)
介绍（中）	这个场景的灵感来自伊势物语（伊势物语）的"宇津山"（字面意思是"悲伤之山"）一集，这是一个十世纪的叙事，讲述了一个无名主角的旅行和艰辛，他的虚构角色是基于朝臣诗人有原之成平（825-880）。林巴艺术家经常将整个场景（也称为"常春藤路径"（Tsuta no hosomichi）情节）简化为常春藤覆盖的山路的图像。这个场景显示了朝臣和他的侍从在宇津山脚下旅行。根据故事，在一条长满常春藤和枫树的小路上，这对夫妇遇到了一个宗教苦行僧，朝臣要求他将一首诗传回给他在首都的前情人。在这首诗中，朝臣哀叹他再也看不到他的爱情，即使在他的梦中也是如此，根据古老的信仰，恋人能够在梦中相遇。深江罗什活跃于十八世纪初，但他幸存的小语料库表明他以古老的Sŏtatsu模式工作。
介绍（英）	This scene is inspired by the “Mount Utsu” (literally, “Mountain of Sadness”) episode of The Ise Stories (Ise monogatari), a tenth-century narrative recounting the travels and travails of an unnamed protagonist, whose fictional persona is based on the courtier-poet Ariwara no Narihira (825–880). Rinpa artists often reduced the entire scene, also popularly known as the “Ivy Path” (Tsuta no hosomichi) episode, to an image of an ivy-covered mountain path. The scene shows the courtier and his attendant traveling in the foothills of Mount Utsu. In accordance with the story, on a path overgrown with ivy and maple trees, the pair comes upon a religious ascetic, whom the courtier asks to transmit a poem back to his former lover in the capital. In the poem, the courtier bemoans the fact that he can no longer see his love, not even in his dreams, in which, according to ancient beliefs, lovers are able to meet. Fukae Roshǔ was active in the early eighteenth century, but his small surviving corpus shows that he worked in an archaic Sŏtatsu mode.