伦敦综合生活，摘自《伦敦新闻画报》 - 美国大都会艺术博物馆展品查阅

品名（中）	伦敦综合生活，摘自《伦敦新闻画报》
品名（英）	Omnibus Life in London, from "Illustrated London News"
入馆年号	2018年，2018.614.9
策展部门	绘画和印刷品（Drawings and Prints）
创作者	William Maw Egley【1826 至 1916】【英国人】
创作年份	公元 1859
创作地区
分类	印刷品（Prints）
尺寸	页: 10 3/8 × 9 9/16 英寸 (26.4 × 24.3 厘米)
介绍（中）	这幅木版画再现了埃格利的一幅画，于 1859 年在英国机构（现为泰特英国美术馆）展出。该图像提供了维多利亚时代城市生活的新基本组成部分之一和不便之处的视图。综合巴士于1829年引入伦敦，是服务于既定路线的马车。他们允许中等收入的人以新的自由在城市中移动，但也强迫来自不同背景的人坐在近距离。在这里，我们看到母亲带着两个年幼的女儿试图避开坐在对面的老年男女的目光。在后面，司机打开了后面的门，允许另外两名乘客进入。《伦敦新闻画报》将这张照片描述为"一个沉闷的内部，其中的严酷和艰难的事件将被伦敦街道上成千上万的疲惫的旅行者认出。
介绍（英）	This wood engraving reproduces a painting by Egley, shown at the British Institution in 1859 (now Tate Britain). The image offers a view of one of the new essential components—and inconveniences—of Victorian city life. Omnibuses were introduced to London in 1829, and were horse drawn carriages that served established routes. They allowed people of middle income to move around the city with new freedom, but also forced those from different backgrounds and to sit in close quarters. Here, we see mother with two young daughters trying to avoid the stares of an older man and woman who sit opposite. At the back, the driver has opened the door at the back, to allow two more passengers to enter. The Illustrated London News described the image as, "a droll interior, the stern and trying incidents of which will be recognized by thousands of weary wayfarers through the streets of London."