葡萄酒神 - 美国大都会艺术博物馆展品查阅

品名（中）	葡萄酒神
品名（英）	Infant Bacchus with Grapes
入馆年号	2018年，2018.210.1
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Joseph Gott【1786 至 1860】【英国人】
创作年份	公元 1824
创作地区
分类	雕塑（Sculpture）
尺寸	Figure (confirmed): 5 1/2 × 8 3/4 × 3 3/4 英寸 (14 × 22.2 × 9.5 厘米) Base (confirmed): 1 3/4 × 9 1/2 × 4 1/2 英寸 (4.4 × 24.1 × 11.4 厘米)
介绍（中）	酒神巴克斯（Bacchus）被描绘成一个裸体的婴儿躺在山羊皮上。他瞪大了眼睛，看着那串葡萄，一边高兴地扭动着他那矮胖的身体，一边把葡萄放在嘴边。当他那双有酒窝的手挤压水果时，他张开嘴唇，露出温和的微笑，期待着它的烈酒。这座雕塑造型经济精致。这个人物的造型很简单，面部特征很规则，而空白的眼睛则按照古典规范风格化。戈特强调了巴克斯身体的振幅，将其脂肪褶皱的光滑度与婴儿弹性小环和山羊毛蓬松的复杂纹理形成对比十九世纪初，约瑟夫·戈特跻身英国最重要的新古典主义雕塑家之列。作为一个早熟的天才，戈特受到了画家托马斯·劳伦斯的高度评价，他于1822年赞助了他的第一次罗马之旅。这位雕塑家在永恒之城待了将近40年，经营着一家成功的工作室，为英国客户提供大理石和陶俑雕塑。戈特定期前往他的祖国，在皇家学院展出，并与约克郡的实业家保持联系，这些实业家是他的主要赞助人。1824年的《带葡萄的婴儿酒神》代表了戈特在年轻时养成的高度个性化的风格，并一直保持到生命的尽头戈特是第一批将古典传统与新兴的强大实业家阶层的情感相适应的英国雕塑家之一，这些实业家生活在远离伦敦的制造业城市，他们的品味倾向于容易理解，喜欢国内雕塑，而不是规模宏大的古董声明。他的主题——尤其是他最著名的儿童和狗——以不同的知识水平吸引了家庭观众。对于那些不熟悉古典神话的人来说，他的酒神传达了所有满足的婴儿的顽皮顽皮。其他人则认为酒神巴克斯是葡萄和山羊皮的神，他们可以享受一个婴儿神的自负，他用丰满的双手将水果粉碎，奇迹般地将其转化为葡萄酒
介绍（英）	Bacchus, the classical god of wine, is depicted as a naked infant reclining upon a goatskin pelt. He gazes wide-eyed at the bunch of grapes that he holds above his mouth while wriggling his pudgy body in delight. As his dimpled hands squeeze the fruit, he parts his lips in a gentle smile anticipating its heady liquor. The sculpture is modeled with economical refinement. The figure’s forms are simple, the facial features regular, and the blank eyes stylized according to classical norms. Gott emphasizes the amplitude of Bacchus’s body, contrasting its fat-creased smoothness with the complex textures of the infant’s springy ringlets and the goatskin’s shaggy hair. At the beginning of the nineteenth century, Joseph Gott ranked among Great Britain’s foremost Neoclassical sculptors. A precocious talent, Gott was highly regarded by the painter Thomas Lawrence who sponsored his first trip to Rome in 1822. The sculptor remained in the Eternal City for almost forty years, running a successful workshop that supplied marble and terracotta sculptures to English clients. Gott made regular trips to his native land, exhibiting at the Royal Academy and keeping in contact with the Yorkshire industrialists who were his principle patrons. The Infant Bacchus with Grapes of 1824 typifies the highly personal style that Gott developed in his youth and maintained with little variation until the end of his life. Gott was among the first British sculptors to adapt the classical tradition to the sensibilities of the emerging class of powerful industrialists who lived in manufacturing cities far from London and whose taste tended toward easily apprehended, engaging domestic sculptures rather than grandly scaled antiquarian statements. His subjects – especially of children and dogs for which he was most famous – appealed to family audiences with varied levels of knowledge. For those unfamiliar with classical myth, his Bacchus conveys the mischievous playfulness of all contented babies. Others, recognizing Bacchus as a god by his attributes of grapes and goatskin pelt, could relish the conceit of an infant divinity who miraculously transforms fruit into wine by smashing it in his plump hands