[巴黎公社成员：玛丽·切雷尔，perpétuité，掠夺和香火] - 美国大都会艺术博物馆展品查阅

品名（中）	[巴黎公社成员：玛丽·切雷尔，perpétuité，掠夺和香火]
品名（英）	[Member of the Paris Commune: Marie Chérel, perpétuité, pillage et incendie]
入馆年号	2017年，2017.662.3
策展部门	摄影（Photographs）
创作者	Ernest Eugène Appert【1831 至 1891】【法国人】
创作年份	公元 1871
创作地区
分类	照片（Photographs）
尺寸	图像: 3 5/8 × 2 1/4 英寸 (9.2 × 5.7 厘米) Mount: 4 1/8 英寸 × 2 1/2 英寸 (10.4 × 6.3 厘米)
介绍（中）	随着法国在普法战争中的失败和拿破仑三世的倒台，成千上万的巴黎人起义反对新的保皇党倾向政府，并宣布巴黎为独立公社。随后进行了数周的战斗，在此期间，凡尔赛军队袭击了这座城市，而公社则设置了路障，枪杀了人质，并烧毁了政府大楼。大量妇女参加了起义，最臭名昭著的是pétroleuses或女性纵火犯，她们在上周公社的血腥事件中烧毁了几座政府大楼。不久之后，巴黎肖像摄影师阿佩尔（Appert）获得了凡尔赛临时监狱的独家访问权，并为个别囚犯制作了肖像，这些囚犯将权利转让给了他们的肖像。他将许多肖像作为访问卡特斯，但也将公社人的面孔融入了一系列名为"公社罪行"的宣传蒙太奇照片中。
介绍（英）	Following France’s defeat in the Franco-Prussian War and the fall of Napoleon III, thousands of Parisians revolted against the new royalist-leaning government and declared Paris an independent commune. Weeks of fighting ensued, during which Versailles troops attacked the city while the Communards threw up barricades, shot hostages, and burned government buildings. Women participated in the insurrection in great numbers, most notoriously as pétroleuses, or female arsonists, who torched several government buildings during the Commune's bloody last week. Soon afterward, Appert, a Parisian portrait photographer, gained exclusive access to a makeshift prison at Versailles and made portraits of individual prisoners, who ceded the rights to their likenesses. He issued many of the portraits as cartes-de-visites, such as these, but also integrated the Communards' faces into a series of propagandistic photomontages entitled "Crimes of the Commune."