白鹭和棉花玫瑰 - 美国大都会艺术博物馆展品查阅

品名（中）	白鹭和棉花玫瑰
品名（英）	Egrets and Cotton Roses
入馆年号	2014年，2014.768.1
策展部门	亚洲艺术（Asian Art）
创作者	Tosa Mitsuoki【1617 至 1691】【日本人】
创作年份	公元 1634 - 公元 1699
创作地区
分类	绘画（Paintings）
尺寸	图像: 46 5/8 × 22 3/16 英寸 (118.5 × 56.3 厘米) 整体 with knobs: 69 × 28 1/16 英寸 (175.2 × 71.2 厘米) 整体 with mounting: 69 × 26 英寸 (175.2 × 66.1 厘米)
介绍（中）	土佐学派的艺术家以精致多彩的山形画闻名，这些画描绘了典型的日本主题，如《源氏物语》和其他文学经典中的场景。然而，三木敏佐也以其画鹌鹑和花或草而闻名，这反映了他对南宋中国画的亏欠。因此，三木的一幅没有描绘鹌鹑的花鸟画，比如这幅用棉花玫瑰描绘两只白鹭的画作，是相当罕见的这幅悬挂卷轴以不同的、稍微宽松的风格展示了艺术家的绘画，可以在花朵、树叶、岩石和白鹭中观察到。这些鸟是用"无骨"的方法画出来的，轮廓很小，显示出了当代Rinpa艺术家的影响。这幅画展示了三木对融合卡诺派风格特征的微妙但明确的兴趣，尤其是他用更大胆的笔触在岩石上作画的方式。
介绍（英）	Artists of the Tosa school are known for refined and colorful yamato-e paintings depicting quintessentially Japanese themes such as scenes from The Tale of Genji and other literary classics. Tosa Mitsuoki is, however, also renowned for his works showing quails with flowers or grasses, reflecting an indebtedness to Chinese painting of the Southern Song dynasty. A bird-and-flower painting by Mitsuoki that does not depict quails, such as this rendering of two egrets with cotton roses, is therefore quite rare. This hanging scroll shows the artist painting in a different, somewhat looser style, observable in the flowers, leaves, rocks, and egrets. The birds are painted in the “boneless” method, with minimal outlines, showing the influence of contemporaneous Rinpa artists. The painting demonstrates Mitsuoki’s subtle but definite interest in incorporating stylistic features of the Kano school, especially in the way he executed the rocks with bolder brushstrokes in ink.