Tenplum（原文如此）Iovis Ultoris，来自一系列24座描绘（重建）罗马古代建筑 - 美国大都会艺术博物馆展品查阅

品名（中）	Tenplum（原文如此）Iovis Ultoris，来自一系列24座描绘（重建）罗马古代建筑
品名（英）	Tenplum (sic) Iovis Ultoris, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
入馆年号	2016年，2016.684.4b
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Italian, 16th century【1500 至 1600】【意大利人】
创作年份	公元 1530 - 公元 1550
创作地区
分类	印刷品（Prints）
尺寸	页: 13 3/8 × 9 5/16 英寸 (34 × 23.6 厘米)
介绍（中）	对一座被称为"Tenplum[原文如此]Iovis Ultoris"的神庙的透视描绘。该建筑的特点是其中心平面图，并放置在带有三个台阶的讲台上，台阶遵循建筑圆形平面图的形状。这座建筑有两个主要楼层。一楼有门廊，而二楼有矩形窗户，顶部有山墙，两侧有壁柱。这座建筑的顶部是一个圆顶灯笼，由一个装饰有C形卷边的鼓支撑。虽然Iovis Ultoris神庙可以与今天仍保存在罗马的万神殿或圣玛丽亚罗通达教堂相媲美，但这座建筑很可能是在不知道原始建筑遗迹的情况下创作的，与布拉曼特的《Tempietto》以及拉斐尔和佩鲁吉诺在各自版本的《Sposalizio》和后一位艺术家的《Delivery of the Keys》中描绘的中央寺庙有一些相似之处该版画是一组建筑版画的一部分，描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。已知这些板块有几种（未编目的）状态，并且随着时间的推移发生了微小的变化。一些建筑的名称被更改了，由于板块裂缝和氧化，这些板块被裁剪了这个系列的大多数铜板都是两面雕刻的。这幅版画取自与"Arcus Lutii Septimii"相同的版画。
介绍（英）	Perspectival depiction of a temple referred to as the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilasters. The building is crowned by a domed lantern which is supported by a drum decorated with C-volutes. While the Temple of Iovis Ultoris is identifiable with the Pantheon or Church of Santa Maria Rotonda still preserved in Rome today, this rendition was likely created as an ekphrasis, without knowledge of the remains of the original [The Pantheon is represented in a separate print in this series.] The present building, while fantastical in nature, bears some resemblance to Bramante’s ‘Tempietto’ and the centralized temples depicted by Raphael and Perugino in their respective versions of the ‘Sposalizio’, and in the latter artist’s ‘Delivery of the Keys’. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Arcus Lutii Septimii'.