泰姆。Ro.Penatibus Dicatu，来自一系列24座描绘（重建）罗马古代建筑 - 美国大都会艺术博物馆展品查阅

品名（中）	泰姆。Ro.Penatibus Dicatu，来自一系列24座描绘（重建）罗马古代建筑
品名（英）	Tem. Ro. Penatibus Dicatu, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
入馆年号	2016年，2016.684.3b
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Italian, 16th century【1500 至 1600】【意大利人】
创作年份	公元 1530 - 公元 1550
创作地区
分类	印刷品（Prints）
尺寸	页: 13 3/8 × 9 5/16 英寸 (34 × 23.6 厘米)
介绍（中）	寺庙的透视图，从侧面看（？），被称为"Tem"。罗佩纳提布斯·迪卡图。该建筑的特点是其中心平面图，并放置在高高的讲台上，左侧有台阶通往讲台。建筑的主体是圆形的，正面有一个前卫的军团。这座建筑的顶部是一个阶梯式圆顶，由一个装饰有C形卷边的鼓和顶部的灯笼支撑。虽然这座建筑在本质上看起来很梦幻，但它有一些相似之处，几乎是拉斐尔和佩鲁吉诺在各自版本的《斯波萨利齐奥》和后一位艺术家的《钥匙的交付》中描绘的中央寺庙的仿制品该版画是一组建筑版画的一部分，描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。已知这些板块有几种（未编目的）状态，并且随着时间的推移发生了微小的变化。一些建筑的名称被更改了，由于板块裂缝和氧化，这些板块被裁剪了这个系列的大多数铜板都是两面雕刻的。这幅版画取自与"Arcus Georgii"相同的图版。
介绍（英）	Perspectival depiction of a temple, seen in side view (?), referred to as the ‘Tem. Ro. Penatibus Dicatu.’. The building is characterized by its central plan and placed on high podium with steps leading up to it on the left side. The main body of the building is circular in shape, with an avant-corps on the front side. The building is crowned by a stepped cupola supported by a drum decorated with C-volutes and a lantern at the top. While the building appears to be fantastical in nature, it bears some resemblance, and almost seems a pastiche of the centralized temples depicted by Raphael and Perugino in their respective versions of the ‘Sposalizio’, and in the latter artist’s ‘Delivery of the Keys’. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Arcus Georgii'.