诗歌话语 - 美国大都会艺术博物馆展品查阅

品名（中）	诗歌话语
品名（英）	Discourse on Poetry
入馆年号	2008年，2008.270
策展部门	亚洲艺术（Asian Art）
创作者	Gao Jian【1634 至 1725】【中国人】
创作年份	公元 1698
创作地区
分类	绘画（Paintings）
尺寸	图像: 13 11/16 x 35 7/16 英寸 (34.8 x 90 厘米)
介绍（中）	花园的设计往往是为了体现主人的理想。通过从自然环境的元素中构建符号和隐喻，花园绘画可以在传达人的性格方面获得更大的许可。苏州艺术家高健的这幅画就是如此这幅画是为配合著名学者、官员和收藏家宋洛（1634-1713）的一篇关于中国诗歌的论文而创作的。在这本书中，高提出了一个理想化的宋人在花园亭子里写作的回忆。高拒绝明亮的色彩和具象的逼真性，以一种简洁的"干笔"单色风格呈现了他对花园的简化、近乎天真的视觉，强调了这幅画作为"肖像"的作用，而不是对学者周围环境的字面描述。雄伟的松树、茂密的竹林和宁静的荷花池都可以被解读为宋的崇高品格、道德美德和超然的精神状态的隐喻稀疏的前景和细致的笔触是苏州画派的典范，高从苏州画派中获得了他的风格。这幅卷轴以大胆的篆书封面和宋的论文为框架，由宋的儿子用正式的标准书法转录而成，将诗歌、绘画和书法结合在一起，成为清初文人文化的经典作品。
介绍（英）	Gardens were often designed to embody the ideals of their owners. Paintings of gardens could take even greater license in conveying a man’s character by constructing symbols and metaphors drawn from elements of the natural environment. That is surely the case with this painting by the Suzhou artist Gao Jian. The painting was made to accompany a treatise on Chinese poetry by the renowned scholar-official and collector Song Luo (1634–1713). In it, Gao presents an idealized evocation of Song composing his discourse in a garden pavilion. Rejecting bright color and representational verisimilitude, Gao renders his simplified, almost naive vision of the garden in a spare, “dry brush” monochrome style that emphasizes the painting’s role as a “portrait” rather than a literal description of the scholar’s surroundings. The majestic pines, dense grove of bamboo, and tranquil lotus pond may all be read as metaphors for Song’s lofty character, moral virtue, and detached state of mind. The sparse foreground and meticulous brushwork exemplify the Suzhou School of painting, from which Gao derived his style. Framed by a bold seal-script frontispiece and Song’s treatise, transcribed in formal standard-script calligraphy by Song’s son, the scroll unites poetry, painting, and calligraphy in a quintessential work of early Qing literati culture.