Palatium M.Agrippa，来自一系列描绘（重建）罗马古代建筑的版画 - 美国大都会艺术博物馆展品查阅

品名（中）	Palatium M.Agrippa，来自一系列描绘（重建）罗马古代建筑的版画
品名（英）	Palatium M. Agrippa, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
入馆年号	1926年，26.50.1(114a)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Monogrammist G.A. & the Caltrop【1535 至 1535】【意大利人】
创作年份	公元 1530 - 公元 1550
创作地区
分类	唱片集（Albums）
尺寸	Plate: 5 9/16 × 7 1/4 英寸 (14.2 × 18.4 厘米) [edges of the plates are not straight, the height varies from 13.95-14.2, the width varies from 18.4-18.65]
介绍（中）	皇帝Marcus Agrippa宫殿正面视图，如左下角的铭文"Palatium M.Agrippa"所示。粗糙的外墙由三层楼组成，顶部是一个带拱门和小圆窗的阁楼。立面分为四个隔间，每个隔间都有一扇通向外部的窗户或门。窗户两侧是双层多立克柱式。沿着建筑物的侧面和顶部可以看到损坏。目前尚不清楚这一演绎是基于罗马的一座特定建筑，还是版画家是基于历史资料中对宫殿的描述，依靠自己的想象力该版画是一组建筑版画的一部分，描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。已知这些板块有几种（未编目的）状态，并且随着时间的推移发生了微小的变化。一些建筑的名称被更改了，由于板块裂缝和氧化，这些板块被裁剪了这个系列的大多数铜板都是两面雕刻的。然而，这张照片的尺寸与其他任何一张照片都不匹配。它的verso可能包含一个不同主题的作文这组版画是1926年作为相册的一部分购买的，但在1934年被博物馆拆散。这张专辑似乎是在17世纪编制的，尽管大多数印刷品都是16世纪的。印刷品的大部分集中在神话主题、文物和古代建筑上。这张专辑是建筑师Hippolyte Destailleur收藏的一部分，并于1895年在他的书籍和印刷品销售中售出。博物馆在G.Rapilly&；1926年拍摄。目前尚不清楚这本相册同时存放在何处，在此期间还取出了几张照片。博物馆的编号并不反映原始相册的顺序，但Destailleur的编号系统保留在单独的纸张上，以便重建其原始内容。
介绍（英）	Frontal view of the façade of the palace of Emperor Marcus Agrippa, as indicated by the inscription ‘Palatium M. Agrippa’ in the lower left corner. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this rendition is based on a specific building in Rome, or whether the printmaker is relying on his imagination, based on a description of the palace in an historic source. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print, however, does not match any of the other prints in size. Its verso may contain a composition for a different subject. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.