启蒙时刻的禅宗六祖 - 美国大都会艺术博物馆展品查阅

品名（中）	启蒙时刻的禅宗六祖
品名（英）	The Sixth Patriarch of Zen at the Moment of Enlightenment
入馆年号	2006年，2006.174
策展部门	亚洲艺术（Asian Art）
创作者	Kano Tan'yū【1602 至 1674】【日本人】
创作年份	公元 1635 - 公元 1645
创作地区
分类	绘画（Paintings）
尺寸	图像: 40 x 9 1/2 英寸 (101.6 x 24.1 厘米) 整体 with mounting: 70 1/2 x 10 英寸 (179.1 x 25.4 厘米) 整体 with rollers: 宽 12 英寸 (30.5 厘米)
介绍（中）	这幅小画是加野坦彦对13世纪初著名南宋中国画家梁楷（现藏于东京国立博物馆）的一幅传奇画作的重复。它描绘了一个关于禅宗六祖惠能（638–713）的禅宗寓言，他在准备劈开一根竹枝当柴时突然发现了启迪 Tan'ý，江户卡诺派画家的领袖，保存了大量他所研究的作品的图片记录。在这里，他显然受到了梁楷绘画的启发，但他巧妙地运用了宽阔的水墨来指示身体的上下部分，并消除了细节，给观众留下了很多想象。这幅画上有日本历史上最著名的禅宗僧侣之一Takuan Sōh 333;（1573–1645）的题词，指的是一把刀的一次打击就可以征服所有的思想。巨轮下方的大印章属于第九代德川幕府家臣（1711–1761）的家Tayasu家族，表明这幅画之前的所有权。
介绍（英）	This small image, executed with a few brushstrokes in light ink, is Kano Tan'yū's reiteration of a legendary painting of the early thirteenth century by the renowned Southern Song Chinese painter Liang Kai (now in the Tokyo National Museum). It illustrates a Zen parable regarding Hui-neng (638–713), the sixth patriarch of Zen (Chan in Chinese), who suddenly found enlightenment as he was about to split a bamboo branch for firewood. Tan'yū, the leader of the Kano school painters in Edo, kept copious pictorial records of works that he examined. Here, while clearly inspired by Liang Kai's painting, he skillfully manipulated broad ink washes to indicate the upper and lower parts of the body and eliminated details, leaving much to the viewer's imagination. The painting bears an inscription by Takuan Sōhō (1573–1645), one of the most prominent Zen monks in Japan's history, referring to a single strike of a knife that vanquishes all thoughts. The large seal below the colophon belongs to the Tayasu family, the house of the ninth Tokugawa shogun Ieshige (1711–1761), indicating the painting's previous ownership.