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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)两种尺寸的装饰框架的交替垂直行的壁纸设计
品名(英)Design for Wallpaper with Alternating Vertical Rows of Pairs of Ornamental Frames of Two Sizes Framed by Interlacing Garlands of Laurel Leaves Tied by a Bow
入馆年号1949年,49.50.176
策展部门绘画和印刷品Drawings and Prints
创作者Anonymous, French, 19th century【1800 至 1900】【法国人】
创作年份公元 1870 - 公元 1900
创作地区
分类图画(Drawings)
尺寸页: 5 13/16 × 5 7/16 英寸 (14.8 × 13.8 厘米)
介绍(中)十九世纪下半叶的长方形壁纸,灵感来自路易十六的风格,是1850年代以来法国和英国新古典复兴运动的一部分,希腊、意大利和埃及的考古发现推动了人们对古罗马、15世纪和16世纪艺术和建筑的兴趣。通过这种风格,古典和文艺复兴时期的艺术和设计作品以各种形式和主题重新诠释,古典人物、滚动装饰、系带、怪诞和习俗成为设计的核心元素。这场复兴的特点是使用了暗指古典古董的设计主题,包括具有田园风格的花瓶和奖杯、古典人物和客串、真实和梦幻人物的混合,以及招摇和花彩。这些花环和花彩包括织物和缎带组成的花环,以及用粉彩上色的花和外壳组成的细束和花环。这种设计的比例显然不真实,而且这张图是为一本家具商的样本书绘制的,作为多种不同风格之一展示给客户
这种设计可能是为壁纸设计的,由交替的垂直排不同尺寸的成对装饰框架组成,用黄色色调来模拟金色饰面,由交错的月桂叶花环组成,花环由一个蝴蝶结绑在一起,蝴蝶结放在每对较小的框架下。较大的装饰框包含滚动图案,较小的装饰框则包含简化的痕迹,以指示内部的设计。框架全部用黄色渲染,可能是为了模拟金色饰面,内部内容物交替着色:中间一排框架内的装饰图案在米色地面上用棕色着色,另外两排框架内装饰图案在金色地面上用蓝色和红色着色。装饰小框架的缎带蝴蝶结用粉色、蓝色和紫色交替着色。背景由粉红色的装饰卷轴组成,卷轴覆盖在品红色的地面上。在设计的边界处可以看到石墨的痕迹。渲染了一些帧,使得细节几乎完整,而其他帧则不完整。
介绍(英)Rectangular sheet of paper with a design for a wallpaper from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from.
The design, possibly for a wallpaper, consists of alternating vertical rows of pairs of ornamental frames of different sizes, colored with tones of yellow to simulate a gold finish, framed by interlacing garlands of laurel leaves tied together by a bow resting under the smaller frame on each pair. The larger ornamental frames contain scrolling motifs, and the smaller ornamental frames contain simplified traces to indicate the design of the inside. The frames are all rendered with yellow, possibly to simulate a gold finish, and the inside contents are colored alternatingly: the ornamental motifs inside the frames in the middle row are colored with brown over a beige ground, and the ornamental motifs inside the frames of the two other rows are colored with blue and red over a gold-colored ground. The ribbon bows decorating the smaller frames are colored with pink, blue and purple, alternatingly. The background consists of ornamental scrolls of pink color over a magenta ground. Traces of graphite can be seen towards the borders of the design. Some of the frames are rendered so that the details are almost complete, others are left incomplete.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。