一百年来，我一直是一个没有依恋的人 - 美国大都会艺术博物馆展品查阅

品名（中）	一百年来，我一直是一个没有依恋的人
品名（英）	For a hundred years [I have been] a person with no attachments
入馆年号	2015年，2015.602
策展部门	亚洲艺术（Asian Art）
创作者	Jiun Sonja【1718 至 1804】【日本人】
创作年份	公元 1766 - 公元 1799
创作地区
分类	绘画（Paintings）
尺寸	图像: 46 1/2 × 10 7/8 英寸 (118.1 × 27.6 厘米) 整体 with mounting: 74 × 11 5/8 英寸 (188 × 29.5 厘米) 整体 with knobs: 13 5/8 英寸 (34.6 厘米)
介绍（中）	这一栏字迹工整，上面写着"百年来，我是一个没有依恋的人"(百年無事人 Hyakunen buji bito）-暗示艺术家本人或接受者是一个无忧无虑的人，反映了在禅宗寺院的斯巴达环境中接受培训的僧侣的优先事项。九颂的书法通常引用佛教谚语，以其能量、自发性和力量的投射而闻名。继承了中世纪禅宗书法的传统，这位江户僧人的书法在笔触中体现了"飞白"。久恩没有在画笔干涸时重新梳理，而是有意在笔触中留下未经修饰的区域，以暗示强烈而快速的笔触久恩索尼亚最初是佛教辛贡派的一名僧侣，但在宗教训练方面不拘一格。他学习各教派的佛教教义，同时也致力于中国古典学和儒学的研究。他沉浸在梵文文本中，被称为当时最伟大的梵文学者之一。事实上，他后来也创作了"禅宗"风格的梵文书法。由于对传统佛教评论的研究感到沮丧，久恩转向冥想，成为禅宗的全职实践者。久恩是一位学者和多产的作家，从大约70岁起，他就致力于神道教的研究，并撰写了有关该主题的书籍。
介绍（英）	This single column of brusquely inscribed calligraphy—reading “For a hundred years [I have been] a person with no attachments” (百年無事人 Hyakunen buji bito)—implies that the artist himself or the recipient is a carefree person and reflects the priorities of a monk who trained in the spartan environment of a Zen monastery. Jiun Sonja’s calligraphies, which usually cite Buddhist sayings, are celebrated for their projection of energy, spontaneity, and forcefulness. Following in the tradition of medieval Zen calligraphy, this Edo monk’s handwriting manifests “flying white” in the brushstrokes. Instead of reinking his brush when it ran dry, Jiun intentionally left uninked areas within strokes to suggest a sense of intense and rapid brushwork. Jiun Sonja was originally a monk of the Shingon sect of Buddhism, but was eclectic in his religious training. He studied Buddhist teachings of various sects, but also applied himself to the study of Chinese classics and Confucianism. He immersed himself in Sanskrit texts and was known as one of the greatest Sanskrit scholars of his day. In fact, he created “Zen” style Sanskrit calligraphy as well later in his life. Frustrated by his study of traditional Buddhist commentaries, Jiun turned to meditation and became a full-time practitioner of Sōtō Zen Buddhism. A scholar and prolific writer, from about age 70, Jiun dedicated himself to the study of Shinto, and authored books on the subject.