人们发情。锦标赛 - 美国大都会艺术博物馆展品查阅

品名（中）	人们发情。锦标赛
品名（英）	Ludi equestres. Das Thurnieren (The Tournament)
入馆年号	2014年，2014.434
策展部门	武器和盔甲（Arms and Armor）
创作者	Martin Engelbrecht【1684 至 1756】【德国人】
创作年份	公元 1705 - 公元 1755
创作地区	原产国: 德国（Country of Origin: Germany）
分类	纸刻工程（Works on Paper-Engravings）
尺寸	9 1/2 x 15 3/16 英寸 (241 x 385 毫米)
介绍（中）	这幅版画为十八世纪欧洲讲德语的法院对最初在文艺复兴时期开发的马术和军事活动表现出的持久青睐提供了重要的视觉证据。具体来说，这幅版画展示了四名骑手在练习擂台的路线，这场比赛要求他们每个人在全速骑马时用长矛的尖端抓住悬挂的环。尽管擂台的路线在十六世纪的欧洲非常受欢迎，并逐渐取代了危险的角逐和其他形式的模拟战斗，但在十八世纪后期，它很快就过时了，除了德语世界。这幅印刷品的拉丁文和德文标题通过将 18 世纪的马术比赛（Ludi equestres）等同于古老的锦标赛（Das Thurnieren）来恰当地庆祝这种非凡的连续性。
介绍（英）	This print provides important visual evidence for the enduring favor shown by the German-speaking courts of eighteenth-century Europe for equestrian and martial activities originally developed during the Renaissance. Specifically, the print shows four horsemen practicing the course of the ring, a contest that required each of them to catch with the point of his lance a suspended ring while riding his horse at full speed. Although the course of the ring was immensely popular across sixteenth-century Europe, and gradually supplanted hazardous jousts and other forms of mock combats, over the late eighteenth century it quickly became outmoded, except in the German-speaking world. The Latin and German titles of this print aptly celebrate this remarkable continuity by equating the equestrian games (Ludi equestres) of the eighteenth century with the venerable tournament (Das Thurnieren).