科妮莉亚，格拉奇的母亲，指着她的孩子作为她最珍贵的装饰品 - 美国大都会艺术博物馆展品查阅

品名（中）	科妮莉亚，格拉奇的母亲，指着她的孩子作为她最珍贵的装饰品
品名（英）	Cornelia, Mother of the Gracchi, Pointing to her Children as her Most Precious Ornaments
入馆年号	2015年，2015.33
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Gillis Mostaert the Elder【1528 至 1598】【荷兰人】
创作年份	公元 1548 - 公元 1598
创作地区
分类	图画（Drawings）
尺寸	页: 7 13/16 × 8 9/16 英寸 (19.8 × 21.8 厘米)
介绍（中）	为了回应坐在两个男人中间的女主人炫耀她珠宝盒中的戒指，格拉奇的母亲科内莉亚指着她从学校回来的孩子，作为她最珍贵的装饰品。主题的选择取自一世纪的罗马作家瓦莱里乌斯·马克西姆斯（Valerius Maximus）（"令人难忘的行和谚语"，第 4 卷第 4 章的引言），以前很少描绘，这表明了 16 世纪在荷兰艺术家中传播的人文主义文化。在安特卫普尤其如此，这幅画的作者吉利斯·莫斯塔特（Gillis Mostaert）是一位活跃的流派和风景画家。署名基于与他在巴黎Frits Lugt收藏中罕见的签名表之一的风格比较。博物馆绘画的目的尚不清楚，但相对粗略的风格表明它是为另一件作品做准备的，也许是一幅画。
介绍（英）	In response to the matronly guest seated between two men who shows off a ring from her jewel box, Cornelia, mother of the Gracchi, points to her children, returning from school, as her most precious ornaments. The choice of subject, taken from the first-century Roman writer Valerius Maximus (“Memorable doings and sayings”, introduction to book 4, chapter 4) and rarely depicted before, is indicative of the humanist culture that spread among Netherlandish artists in the course of the sixteenth century. This is especially true of Antwerp, where the author of the drawing, Gillis Mostaert, was active as a genre and landscape painter. The attribution is based on a stylistic comparison with one of the rare signed sheets by him in the Frits Lugt Collection, Paris. The purpose of the Museum's drawing is unknown, but the relatively cursory style indicates it was preparatory to another work, perhaps a painting.