无名与友善，摘自《伦敦新闻画报》 - 美国大都会艺术博物馆展品查阅

品名（中）	无名与友善，摘自《伦敦新闻画报》
品名（英）	Nameless and Friendless, from "Illustrated London News"
入馆年号	2013年，2013.609.7
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Emily Mary Osborn【1828 至 1925】【英国人】
创作年份	公元 1862
创作地区
分类	印刷品（Prints）
尺寸	页: 10 1/8 × 12 15/16 英寸 (25.7 × 32.9 厘米)
介绍（中）	这幅版画再现了奥斯本于 1857 年在皇家学院展出的一幅画（泰特英国美术馆）。当后来的所有者在1862年将作品借给国际展览时，这幅相关的木版画发表在"伦敦新闻画报"上。它展示了一位年轻的女艺术家，在一个兄弟的陪同下，紧张地站在一个艺术品经销商的商店里，她希望她能买下一件作品——她的黑色连衣裙暗示着最近失去父母和他们的支持。奥斯本在她的标题中添加了一句圣经名言，"无名无友：'富人的财富是他强大的城市，等等。——箴言，x，15"，强调缺乏经济能力并被拒绝进入机构的女性艺术家的困境。这件作品应该被解读为对改革的呼吁，而不是个人经历的例证，因为奥斯本自己的家庭资助了她的培训，她将画作卖给了维多利亚女王等有影响力的客户。从1857年开始，奥斯本积极参与女权主义事业，当年加入了新成立的女艺术家协会，签署了1859年致皇家学院学校的请愿书，要求录取女学生，并在1880年代为妇女选举权而运动。
介绍（英）	This print reproduces a painting (Tate Britain) exhibited by Osborn at the Royal Academy in 1857. When a subsequent owner lent the work to the International Exhibition in 1862, this related wood engraving was published in the "Illustrated London News." It shows a young woman artist, accompanied by a brother, standing nervously in the shop of an art dealer whom she hopes will buy a work—her black dress suggests the recent loss of parents and their support. Osborn added a Biblical quote to her title, "Nameless and Friendless: 'The rich man’s wealth is his strong city, etc.'—Proverbs, x, 15," to emphasize the plight of women artists who lacked financial means and were denied institutional access. The work should be read as a plea for reform rather than an illustration of personal experience, since Osborn's own family funded her training, and she sold paintings to influential clients such as Queen Victoria. From 1857, Osborn was active in feminist causes, joining the newly established Society of Female Artists that year, signing a petition addressed to the Royal Academy Schools in 1859 that asked for female students be admitted, and campaigning for women's suffrage in the 1880s.