歌舞伎剧院的透视图（uki-e），演出了Soga兄弟和名古屋Sanza（Mon zukushi Nagoya Soga）的纹章图案 - 美国大都会艺术博物馆展品查阅

品名（中）	歌舞伎剧院的透视图（uki-e），演出了Soga兄弟和名古屋Sanza（Mon zukushi Nagoya Soga）的纹章图案
品名（英）	Perpsective View (uki-e) of a Kabuki Theatre, with a Performance of The Crest Patterns of the Soga Brothers and Nagoya Sanza (Mon-zukushi Nagoya Soga)
入馆年号	1947年，JP3059
策展部门	亚洲艺术（Asian Art）
创作者	Okumura Masanobu【1686 至 1764】【日本人】
创作年份	公元 1748
创作地区
分类	印刷品（Prints）
尺寸	Horizontal ōban; 12 x 7 英寸 (30.5 x 17.8 厘米)
介绍（中）	在展示平面艺术家Masanobu的小说《西方视角的实验》以捕捉拥挤的歌舞伎剧院的广阔视野时，舞台上展示了一个基于索加兄弟传奇的仇杀剧场景。在1748年的新年季节，著名演员三川一松一世（1722–1762）在左边扮演主角Soga no Gorō，他的忠实侍从浅井奈由Ōtani Oniji一世（1717–1757）扮演标题中的"Mon zukushi"（一系列家族徽章）是一个与Soga兄弟的传说有关的短语，因为有一个场景是兄弟们偷偷进入他们看到的富士山狩猎场的帐篷，并检查帐篷的徽章以寻找他们的敌人工藤。Crests和它们的家族名称被一一列出。标题中的"名古屋"表明这场演出将名古屋三藏（三藏）的角色融入了这部索加剧中。名古屋三藏和富和半泽门之间为争夺京都岛原区妓女桂木（名古屋三藏花押）的爱情而展开的竞争，在江户时代的通俗戏剧中是一个经久不衰的主题，早在汉字时代就出现在木偶剧中。
介绍（英）	While showing the print artist Masanobu’s novel experimentation with Western perspective to capture the expansive view of a crowded Kabuki theater, a scene from a vendetta play based on the legend of the Soga brothers is shown on stage. In the New Year’s season of 1748, the celebrated actor Sanogawa Ichimatsu I (1722–1762) played the starring role of Soga no Gorō, on the left, and his loyal retainer Asaina is played by Ōtani Oniji I (1717–1757). “Mon-zukushi” (An array of family crests) in the title is a phrase related to the legend of the Soga Brothers,since there is a scene when the brothers stole into the tents at the Mount Fuji hunting ground they viewed and cheked the crests of the tents to look for their enemy Kudo. Crests and their family names are listed one by one. “Nagoya” in the title indicates that this performance incorporated the role of Nagoya Sanza (Sanzaburō) into this Soga play. The accounts of the rivalry between Nagoya Sanzaburō and Fuwa Banzaemon for the love of Katsuragi, a courtesan of the Shimabara quarter in Kyoto (Nagoya Sanzaburō monogatari), was an enduring theme in in popular theatre during the Edo period, and featured in puppet theatre as early as the Kanbun era.