Stela的片段，描绘了一个被标记为“卓越的Re精神”的人物，面对Ramesses I和Ahmose Nefertari，位于Re酒吧下方 - 美国大都会艺术博物馆展品查阅

品名（中）	Stela的片段，描绘了一个被标记为“卓越的Re精神”的人物，面对Ramesses I和Ahmose Nefertari，位于Re酒吧下方
品名（英）	Fragment of Stela depicting a figure labeled 'excellent spirit of Re' facing Ramesses I and Ahmose-Nefertari beneath the barque of Re
入馆年号	X.637
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 1295 - 公元前 1070
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 30.5厘米 (12 英寸); 宽 15.2 厘米 (6 英寸)
介绍（中）	尽管这座石碑已破旧不堪，但它代表了私人宗教的一个重要方面，对祖先的崇拜被称为"卓越的Re精神""'最著名的是Deir el Medina遗址。在山墙顶端，蹲着的神Re出现在他的太阳酒吧里，一只狒狒在他面前举起双臂表示崇拜。在正下方的石碑主区，站着一位身着涅梅斯服装的已故国王，精致的羽毛/角/盘状王冠，上面刻有拉美西斯一世的未婚妻；国王身后站着被神化的女王雕像。"Ahmose Nefertari。在这位被神化的皇室成员的对面，可以看到另一位被称为"卓越的Re精神"的人物举起的崇拜之手。卓越的Re灵魂显然是最近去世的祖先，个人可能会向他们寻求帮助或福利。在这种情况下，石碑的捐赠者代表了优秀的精神，作为被神化的国王拉美西斯一世和王后AhmoseNefertari的中间人。后者是最早的18王朝的伟大王后之一；前者是拉美西斯王朝最早的国王之一。一般来说，人们认为这类石碑的捐赠者选择以某种方式代表和吸引他们"认识"的过去的皇室成员。Ahmose Nefertari在底比斯的几个地区建立了邪教，特别是在Deir el Medina，并经常被拍摄到；其他国王可能会被人所知，也可能会被认为是可以接近的，因为他们的雕像是在河谷节中被抬走的，因为捐赠者曾在底比斯西岸的神庙或小教堂为这些国王工作或服务，或者在某些情况下，因为捐赠者对这些国王的历史重要性有一定的认识。
介绍（英）	Although sadly worn, this stela represents an important aspect of private religion, the worship of ancestors entitled 'excellent spirit of Re"' best known from the site of Deir-el-Medina. In the gabled top of the stela appears the crouching god Re in his solar barque, a baboon in front of him raising its arms in adoration. Directly below in the main field of the stela stands a deceased king in nemes and elaborate feather/horns/disk crown labled with the prenomen of Ramesses I; behind the king stood the figure of the deified queen Ahmose-Nefertari. Across from this deified royalty may be seen the upraised adoring hand of another figure who is labeled 'excellent spirit of Re.' The excellent spirits of Re were apparently recently deceased ancestors to whom individuals might appeal for assistance or benefits. In this case the donor of the stela has represented the excellent spirit as intermediary to the deified King Ramesses I and Queen Ahmose-Nefertari. The latter was one of the great queens of the very earliest 18th dynasty; the former was one of the earliest kings of the Ramesside dynasty. In general, it is thought that the donors of such stela chose to represent and appeal to past royalty whom they 'knew' in some way. Ahmose-Nefertari had established cults in several areas in Thebes, particularly in Deir el Medina and was frequently pictured; other kings might be known and felt potentially accessible because their statues were carried in the Festival of the Valley, because the donors had worked on or served at the temples or chapels to these kings on the West Bank at Thebes, or in some cases because the donor had some sense of their historical importance.