《伊势物语》中的“芥川河畔” - 美国大都会艺术博物馆展品查阅

品名（中）	《伊势物语》中的“芥川河畔”
品名（英）	"At the Edge of the River Akutagawa" from the Tales of Ise (Ise monogatari)
入馆年号	1960年，JP3407
策展部门	亚洲艺术（Asian Art）
创作者	Sugimura Jihei【1684 至 1700】【日本人】
创作年份	公元 1681 - 公元 1703
创作地区
分类	印刷品（Prints）
尺寸	图像: 8 3/4 x 5 1/2 英寸 (22.2 x 14 厘米)
介绍（中）	江户时代读者最喜欢的《伊势物语》中的一个故事是一位年轻的贵族女士被这位多情的英雄绑架的故事。这两个场景最初是作为一个单一的构图组合在一起的，这样观众就可以欣赏到对故事的各种不同解读的诙谐并置。下图紧跟着这段话的传统插图：年轻人背着他心爱的小猪来到一棵柳树前。这位江户艺术家甚至保留了传统手卷插图的纵向格式上面更大的场景是一个幽默的现代江户对经典故事的修改：女孩和绑架者躺在一起，看起来像是他恋爱冒险的同谋。为了让人毫不怀疑她在这场戏中的角色，这位江户艺术家故意把斜倚的情侣放在一对大松针上，用江户俚语的说法，这象征着两个阴谋家的非法结合。沉闷的传统观点与其生动的当代戏仿之间的这种鲜明对比被风格的对比进一步突显出来：下面紧紧聚焦的描述场景被上面人物特写中的动态漩涡线和混合主题所取代。
介绍（英）	One of the stories in The Tales of Ise that Edo-period readers loved best was the episode of the abduction of a young noble lady by the amorous hero. These two scenes originally were mounted together as a single composition so the viewer could appreciate the witty juxtaposition of the widely divergent interpretations of the story. The lower picture closely follows traditional illustrations of this passage: the young man carries his beloved piggyback before a willow tree. The Edo artist has even retained the lengthwise format of a traditional handscroll illustration. The larger scene above is a humorous modern Edo revision of the classical story: the girl lies with her abductor with the air of a willing accomplice to his amorous adventure. To leave no doubt as to her role in this scene, the Edo artist deliberately placed the reclining lovers atop a large pair of pine needles that, in the parlance of Edo slang, symbolizes the illicit union of two conspirators. This piquant contrast between the stuffy traditional view and its racy contemporary parody is further underscored by the contrast in styles: the tightly focused descriptive scene below is replaced by the dynamic swirling lines and mixed motifs in the close-up view of figures above.