一名男子手持一座包含奥西里斯图像的神社 - 美国大都会艺术博物馆展品查阅

品名（中）	一名男子手持一座包含奥西里斯图像的神社
品名（英）	Man Holding a Shrine Containing an Image of Osiris
入馆年号	1925年，25.2.10
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 5
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 46.6 厘米 (18 3/8 英寸); 宽 11 厘米 (4 5/16 英寸); 深 16.9 厘米 (6 5/8 英寸)
介绍（中）	这个人把张开的双手放在一个小naos的两侧，naos里面有一尊奥西里斯的小雕像。他戴着一顶贴身的帽子，穿着一件长长的裹身衣，两端卷成一卷，塞在胸前。他光滑的圆脸上露出了淡淡的微笑，凸起的边缘给了他的眼睛一点强调。大人物的简洁线条被细杂砂岩的柔和光泽所强化奥西里斯雕像似乎是由另一位雕塑家雕刻的。上帝的眼睛只由平坦表面上的上脊表示（称为sfumato技巧），他的手臂和权杖的图案异常重叠和复杂，可能是故意造成的，也可能是因为艺术家没有正确计算出人物的布局，以使手臂排列得更舒适这个男人的手势保护了naos，意在建立他和上帝之间的关系，以使他在死后受益。它并不一定反映出一个人在生活中的职业的任何方面。
介绍（英）	This man places his open hands on either side of a small naos containing a statuette of Osiris. He wears a close-fitting cap and a long wraparound garment whose ends are gathered in a roll and tucked in at the chest. A slight smile appears on his smooth round face, and raised rims give a bit of emphasis to his eyes. The simple clean lines of the large figure are reinforced by the subdued sheen of the fine graywacke. The Osiris figure seems to have been carved by a different sculptor. The god's eyes are indicated only by an upper ridge over a flattened surface (known as the sfumato technique), and the pattern of his arms and scepters is unusually overlapped and complex-possibly an intentional effect, or perhaps because the artist did not properly calculate the layout of the figure to allow for more comfortably arranged arms. The man's gesture protects the naos and was meant to bring about a relationship between him and the god in order to benefit him in the afterlife. It does not necessarily reflect any aspect of the man's occupation in life.