木乃伊与一个年轻人的插入面板肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	木乃伊与一个年轻人的插入面板肖像
品名（英）	Mummy with an Inserted Panel Portrait of a Youth
入馆年号	1911年，11.139
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元 80 - 公元 100
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	Mu毫米y: 长 169 厘米 (66 9/16 英寸); 宽 45 厘米 (17 11/16 英寸); Panel as exposed: 高 38.1 厘米 (15 英寸); 宽 18 厘米 (7 1/16 英寸)
介绍（中）	这具木乃伊保留了插入面部的面板。这幅肖像画描绘了一个年轻人，他有一双深邃的大眼睛和一张下翘的嘴。他那毛茸茸的小胡子表明他年龄不超过二十出头。许多木乃伊肖像画代表了留着第一头胡须的年轻人，这一特征在罗马埃及受希腊教育的社会中有着特殊的含义。刚开始的小胡子既是年轻人进入重要社会群体的标志，也是他正处于性吸引力和活力的黄金时期的信号在这个时代，木乃伊可能会在最后埋葬前在地面上保存几个月到几年。最有可能的是，它们被存放在墓地的小教堂里，亲戚们会去那里吃仪式餐在我们这个时代，面板肖像继续吸引着游客和学者。这里的这幅肖像甚至被用来说明种族主义和反犹太主义文学。要了解更多关于该物品传记中这一黑暗时刻的信息，请阅读下面的策展解读（也可提供图片，此处）。艺术家项目链接 Y.Z.Kami谈埃及木乃伊肖像
介绍（英）	This mummy retains the panel inserted over the face. The portrait depicts a youth with large deep-set eyes and a down-turned mouth. His downy moustache indicates that he is no older than his early twenties. A number of mummy portraits represent youths with their first facial hair, a feature that had particular connotations in the Greek-educated society of Roman Egypt. The incipient moustache was both an indicator of the young man's entrance into important social groups and a signal that he was at the prime of sexual attractiveness and vigor. In this era mummies might be kept above ground for periods of some months up to several years before final burial. Most probably they were deposited in chapels in cemeteries, where they were visited by relatives for ritual meals. Panel portraits continue to fascinate visitors and scholars in our day and age. This portrait here was even used to illustrate racist and antisemitic literature. To learn more about this dark moment in the object’s biography, read the curatorial interpretation below (also available, with images, here). Link to the Artist Project Y.Z. Kami on Egyptian mummy portraits