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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)Faience Sistrum刻有托勒密一世的名字
品名(英)Faience Sistrum Inscribed with the Name of Ptolemy I
入馆年号1950年,50.99
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 305 - 公元前 282
创作地区来自于: 埃及(From: Egypt)
分类
尺寸高 26.7 厘米 (10 1/2 英寸); 宽 7.5 厘米 (2 15/16 英寸); 深 3.7 厘米 (1 7/16 英寸)
介绍(中)这块石碑的上半部分巧妙地刻在坚硬的深色石头上。在中央图形面板下方的部分,一排排的象形文字记录了十三个魔咒,用来防止有毒的咬伤和伤口,并治愈由它们引起的疾病。这块石碑是由牧师Esatum委托在一座寺庙的公共部分竖立的。受害者可以背诵或饮用倒在石碑上的魔法文字和图像上的水。作为一个神话般的先例,底座周围的象形文字铭文描述了智慧和文字之神Thoth对婴儿荷鲁斯的魔法治疗

在石碑上,伊西斯说,当她和荷鲁斯还躲在沼泽地里时,孩子生病了。在绝望中,她向"永恒之舟"(上帝在天空中航行的太阳船)呼救,"太阳盘停在她对面,没有离开他的位置。"。托特从太阳船上被派去帮助伊西斯,并通过背诵咒语目录治愈了荷鲁斯。这些咒语总是以"以及对受难者的保护,"表明通过使用这些咒语,人类的任何痛苦都会得到治愈。

在石碑的这一细节中,荷鲁斯以如此高的浮雕从背景中出现,他被塑造成一个真正的三维雕像,左腿向前跨步,头直接面向观众。他被描绘成埃及年轻人的传统形象,即裸体把头发梳在侧边。荷鲁斯和其他神灵身体的柔软、圆形是这一时期的典型风格

为了象征他的魔力,荷鲁斯用拳头紧紧地握着蛇和蝎子,还有羚羊(用角)和狮子(用尾巴)。他的脚靠在两只鳄鱼身上。在他的上方是贝斯的首领,贝斯是一位具有莱昂尼特征的侏儒神,传统上保护家庭,但此时已成为一位更普遍的保护神。荷鲁斯的两侧是三个站在盘绕的蛇上的神。右边是Thoth,通过他的ibis头来识别,左边是Isis。两者都保护性地支撑着一个弯曲的芦苇小屋的墙壁,这是一个原始的小教堂,荷鲁斯的孩子与旭日之神Re harakhty的雕像站在一起,还有纸莎草和莲花柱形式的两个标准。莲花标准支撑着奥西里斯头饰上的两根羽毛

刻在石碑顶部的石头上的图像描绘了太阳穿过地下世界时的危险夜间旅程。每天早上,它的重生都出现在石碑的最高点,在那里,Thoth、四只狒狒和跪着的国王Nectanebo II举起双臂,表示崇拜和祈祷。内克塔内博二世是古埃及最后一位土著国王。他与波斯帝国进行了英勇的斗争,但最终被击败了。在那场失败的战斗之后,他逃到了上埃及,但他的结局却一无所知。
介绍(英)The top half of this stela was skillfully carved in the hard dark stone. On the part below the central figure panel, rows of hieroglyphs record thirteen magic spells to protect against venomous bites and wounds and to cure the illnesses caused by them. The stela was commissioned by the priest Esatum to be set up in the public part of a temple. A victim could recite or drink water that had been poured over the magic words and images on the stela. As a mythic precedent, the hieroglyphic inscription around the base describes the magic cure that was worked upon the infant Horus by Thoth, the god of wisdom and writing.

On the stela Isis speaks and recounts that while she and Horus were still hiding in the marshes, the child became ill. In her despair, she cried for help to the "Boat of Eternity" (the sun boat in which the god travels over the sky), "and the sun disk stopped opposite her and did not move from his place." Thoth was sent from the sun boat to help Isis and cured Horus by reciting a catalogue of spells. The spells always ended with the phrase "and the protection of the afflicted as well," indicating that by using these spells, any type of affliction in human beings would be healed.

In this detail of the stela, Horus emerges from the background in such high relief that he is posed as an actual three-dimensional statue, with his left leg striding forward and his head directly facing the viewer. He is portrayed in the conventional Egyptian form for youth; that is, he is nude and wearing his hair in a sidelock. The soft, rounded forms of the bodies of Horus and the other deities are typical of the style of the period.

To symbolize his magic powers, Horus holds snakes and scorpions as well as an antelope (by its horns) and a lion (by its tail) in his closed fists. His feet rest on two crocodiles. Above him is the head of Bes, the dwarf deity with leonine features who had traditionally protected households but by this time had become a more general protective deity. Horus is flanked by three deities who stand upon coiled snakes. On the right is Thoth, identified by his ibis head, and on the left is Isis. Both protectively hold the walls of a curved reed hut, a primeval chapel, in which the Horus child stands together with a figure of Re-harakhty, god of the rising sun, and two standards in the form of papyrus and lotus columns. The lotus standard supports the two feathers of Osiris's headdress.

The images incised into the stone at the top of the stela portray the perilous nighttime journey of the sun as it passes through the nether world under the earth. Its rebirth each morning is shown at the uppermost point of the stela, where Thoth, four baboons, and the kneeling King Nectanebo II lift their arms in the gesture of adoration and prayer. Nectanebo II was the last indigenous king of ancient Egypt. He struggled valiantly against the Persian empire only to be defeated in the end. After the lost battle, he fled to Upper Egypt, and nothing is known about his end.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。