篮子上有秃鹫和眼镜蛇的浮雕；对面的猎鹰 - 美国大都会艺术博物馆展品查阅

品名（中）	篮子上有秃鹫和眼镜蛇的浮雕；对面的猎鹰
品名（英）	Relief plaque with Vulture and Cobra on baskets; falcon on opposite
入馆年号	1911年，11.155.12
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 400 - 公元前 30
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 15.2 厘米 (6 英寸); 宽 17.7 厘米 (6 15/16 英寸); Th. 1.9 厘米 (3/4 英寸)
介绍（中）	晚期和托勒密时期的小型浮雕或雕塑以部分或未完成的方式描绘了一个主题，但它们本身就是完成的物体，构成了一类特殊的物体。艺术家的指导方针通常作为物品的一部分突出展出，尽管事实上，在许多情况下，可以注意到物品根本不能作为传统正式埃及代表的合适模型。王权的人物，可能代表现在新兴的半神伊姆霍特普和哈普之子阿蒙霍特普的人物，以及像哈波克拉特或伊西斯这样受欢迎的神，在语料库中有很大的代表性综合来看，所代表的人物和其他特征表明这一类别的浮雕和雕塑，有时被埃及学家称为"雕塑家的模型/誓言"，是捐赠实践的材料，可能与这些世纪多产的寺庙建筑有关。不幸的是，关于这种捐赠行为的机制，几乎没有什么可以告诉我们的浮雕的一侧是篮子上的眼镜蛇和秃鹫，它们代表着国王的两位女士的名字；对面是一只不那么精致的猎鹰。
介绍（英）	Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. On one side of this relief are the cobra and vulture on baskets that represent the Two Ladies name of the king; on the opposite side is a less detailed falcon.