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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)女法老哈特谢普苏特
品名(英)The Female Pharaoh Hatshepsut
入馆年号1929年,29.3.3
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 1473 - 公元前 1458
创作地区来自于: 埃及(From: Egypt)
分类
尺寸高 170 × 宽 41 × 深 90 厘米, 620.5 kg (66 15/16 × 16 1/8 × 35 7/16 英寸, 1368 磅) (as reassembled)
介绍(中)这尊优雅的真人大小的雕像描绘了身穿女装的哈特谢普苏特,但她戴着复仇女神的头巾,这是通常留给在位国王的王室特征。在王座正面她腿旁的文字栏中,她已经采用了王座名Maatkare,但她的头衔和称谓仍然是女性的。因此,她是"两个国家的夫人"和"Re的身体女儿"。在宝座的背面,一个神秘的场景的一部分被保留了下来,可能是由两个背靠背的女神组成的。女神有一个怀孕的河马的身体,有猫腿,她的腿后面有一条鳄鱼尾巴。虽然这很像保护妇女和儿童的女神塔韦雷特,但很可能是伊皮,一位出现在大英博物馆17王朝国王塞贝肯萨夫一世(约公元前1575年)雕像上的皇家保护者

雕像的姿势,双手平放在膝盖上,表明它是用来接受祭品的,它可能被放置在寺庙的一个小教堂里。在更多的公共区域,例如进入寺庙的游行通道,巨大的狮身人面像(31.3.166),跪着(30.3)和立像(28.3.18)代表哈特谢普苏特是理想的国王,一个风华正茂的年轻人。这并不意味着她试图欺骗任何人,让他们认为她是一个男人。她只是遵循1500多年前确立的传统。事实上,男性雕像上的铭文包括她的个人名字,哈特谢普苏特,意思是"最重要的贵族女性,"或者一种女性语法形式,表明她的性别。她从小就出现在公众视线中,先是作为国王图特摩斯一世的女儿,然后是她同父异母的兄弟图特摩斯二世的主要妻子,然后是她的侄子/继子图特摩斯三世的摄政王,最后是法老。只有另一尊哈特谢普苏特的雕像在这里完全描绘成一个女人(30.3)。

20世纪20年代初,博物馆的埃及探险队在底比斯西部Deir el Bahri的哈特谢普苏特神庙附近挖掘出了这尊雕像的许多碎片。然而,这尊躯干于1869年被发现,当时在莱顿的范德赫登国立博物馆。1998年,莱顿躯干和MET的雕像部分自原件被毁以来首次重新组合公元前1440年左右。
介绍(英)This graceful, life-size statue depicts Hatshepsut in female attire, but she wears the nemes–headcloth, a royal attribute usually reserved for the reigning king. In the columns of text inscribed beside her legs on the front of the throne, she has already adopted the throne name Maatkare, but her titles and epithets are still feminine. Thus, she is "Lady of the Two Lands" and "Bodily Daughter of Re." On the back of the throne, part of an enigmatic scene is preserved which probably consisted of two back-to-back goddesses. The goddess has the body of a pregnant hippopotamus with feline legs and a crocodile tail appears behind her legs. Although this resembles Taweret, the goddess who protects women and children, it is probably Ipi, a royal protector who appears in the same position on a statue of the Dynasty 17 king Sebekemsaf I (about 1575 B.C.) in the British Museum.

The pose of the statue, seated with hands flat on the knees, indicates that it was intended to receive offerings and it was probably placed in one of the Temple's chapels. In more public areas, such as the processional way into the temple, colossal sphinxes (31.3.166), kneeling (30.3.1) and standing statues (28.3.18) represent Hatshepsut as the ideal king, a young man in the prime of life. This does not mean that she was trying to fool anyone into thinking that she was a man. She was merely following traditions established more than 1500 years earlier. In fact, the inscriptions on the masculine statues include her personal name, Hatshepsut, which means "foremost of noble women," or a feminine grammatical form that indicates her gender. She had also been in the public eye since childhood, first as the daughter of king Thutmose I, then as principal wife of her half-brother Thutmose II, then as regent to her nephew/step-son Thutmose III, and finally as pharaoh. Only one other statue of Hatshepsut depicts here entirely as a woman (30.3.3).

In the early 1920s the Museum's Egyptian Expedition excavated numerous fragments of this statue near Hatshepsut's temple at Deir el-Bahri in western Thebes. The torso, however, had been found in 1869 and was in the Rijksmuseum van Oudheden in Leiden. In 1998, the Leiden torso and the MET's portions of the statue were reunited for the first time since the original was destroyed in about 1440 B.C.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。