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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)C中的单簧管
品名(英)Clarinet in C
入馆年号1982年,1982.42
策展部门乐器Musical Instruments
创作者Edward Riley【1769 至 1829】【美国人,出生于英国】
创作年份公元 1820 - 公元 1829
创作地区美国, 纽约, 纽约(United States, New York, New York)
分类航空电话簧片振动单簧片圆柱形(Aerophone-Reed Vibrated-single reed cylindrical)
尺寸整体 length: 580 毫米 with mouthpiece Bore measured at c-hole 13.6 毫米; at f-hole 13.6毫米 长 of the instrument that has a conical bore : 105 毫米
介绍(中)十八世纪初单簧管的发明归功于约翰·克里斯托夫·丹纳。到了1760年代,它已经成为管弦乐队的一部分,在十九世纪和二十世纪,这种用途广泛的乐器几乎传播到了所有形式和风格的音乐制作中,包括军事乐队和音乐会乐队、爵士乐、克莱兹梅尔和各种世界音乐传统。在19世纪下半叶全面机械化的琴键系统发展之前,单簧管是用各种不同的琴键制造的,因为单簧管在其主键或与之密切相关的琴键中发挥得最好。不同琴键的单簧管也有微妙的不同音色或音色。随着现代琴键系统的出现,降B单簧管和A单簧管是唯一需要在所有琴键中演奏的乐器

由于单簧管在铜管乐器通过阀获得这种演奏能力之前就具有了彩色演奏的能力,单簧管是19世纪早期乐队的旋律支柱,在那里,像这样的乐器很常见

Maker注释:

Edward Riley(1768-1829)出生于英国,1805年从伦敦移民到纽约。1819年至1831年间,他的地址是查塔姆街29号(北爱尔兰沃特豪斯,328-329)

技术说明:


手指:

L0:T;演讲者

L1:T;喉部A♮.

L2:T.

L3:T.

L4:E3/B♮4.F♯3个/个♯5.

R1:T.

R2:T.

R3:T.

R4:T;G♯3个/个♭5.


键头类型:扁平方形
<1br>键座类型:块状,膨胀
<2br>此描述由Heike-Fricke撰写
介绍(英)The invention of the clarinet at the beginning of the eighteenth century is attributed to Johann Christoph Denner. By the 1760s, it had become part of the orchestra and during the nineteenth and twentieth centuries, this highly versatile instrument spread to nearly all forms and styles of music making including military and concert bands, jazz, klezmer and a variety of world music traditions. Before the development of fully mechanized key systems in the second half of the nineteenth century, clarinets were built in a wide range of different keys because the instrument functioned best in its home key or those closely related to it. Clarinets in different keys also have subtly different timbres or tone colors. With the advent of modern key systems, B-flat and A clarinets are the only instruments needed to play in all keys.

Because of its ability to play chromatically before brass instruments gained this capability through the adoption of the valve, the clarinet was the melodic mainstay of the early nineteenth-century band, where instruments like this example were commonly heard.

Maker notes:


Edward Riley (1768-1829) was born in England and emigrated in 1805 from London to New York. Between 1819 and 1831 his address was 29 Chattam Street (Waterhouse, NLI, 328-329).

Technical description:

Clarinet in C, five keys. Boxwood with ivory ferrules and brass keywork. Six pieces: mouthpiece, barrel, upper section, middle section for the fingers of the right hand, lower section with keys, bell. Blackwood mouthpiece grooved for cord and with English style long tenon probably original. English socket-type flask-shaped barrel. Throat keys in rudiments of turned wooden rings. Speaker liner projects almost into the middle of the bore. Levers for L4, tone-hole and key for R4 mounted in a bell-shaped swelling. Guidance for F♯3/C♯5 lever.

Fingerings:


L0: T; speaker.

L1: T; throat A♮.

L2: T.

L3: T.

L4: E3/B♮4; F♯3/C♯5.

R1: T.

R2: T.

R3: T.

R4: T; G♯3/E♭5.


Keyhead type: flat square

Keymount type: blocks, swelling

This description written by Heike Fricke
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。