陶笛 - 美国大都会艺术博物馆展品查阅

品名（中）	陶笛
品名（英）	Pottery Whistle
入馆年号	1908年，08.220.4
策展部门	乐器（Musical Instruments）
创作者
创作年份	公元 800 - 公元 1525
创作地区	哥斯达黎加（Costa Rica）
分类	航空电话笛笛笛（Aerophone-Whistle Flute-whistle）
尺寸	长 4.9 厘米 (1-15/16 英寸); 宽 3.5 厘米 (1-3/8 英寸); 高 3.8 厘米 (1-1/2 英寸); 重 26 g
介绍（中）	中美洲和南美洲的拟人化和动物化陶瓷人物的生产起源于大约6500年前的哥伦比亚安第斯地区，然后沿着西海岸传播，从厄瓜多尔到智利北部和阿根廷，最后向北进入中美洲尽管在征服前的南美洲和中美洲保留了许多类型的乐器，但人们对它们的使用方式知之甚少。口哨通常是以动物或人类的形式制作的，可能具有仪式功能或用作玩具。较小的动物形状的口哨，可能悬挂在脖子上，通常有指孔，可以改变音高。有时，它所产生的声音会模仿所代表的生物描述：红褐色粘土鸟，形状折叠翅膀，站立在两足支撑上，尾部形成吹口，尾部结合处下方的哨口和中空的身体，作为哨子的共鸣室；2个指孔位于身体上表面，位于被刺穿的颈部两侧；造型头，"红黑线"几何纹饰。（Stewart Pollens和Helen Marr，1977）
介绍（英）	The production of anthropomorphic and zoomorphic ceramic figures in Central and South America originated about 6,500 years ago in the Andes region of Colombia, then spread along the west coast, from Ecuador to northern Chile and Argentina, and finally farther north into Central America. Although numerous types of instruments survive from pre-conquest South and Central America, little is known of how they were used. Whistles were often made in animal or human form and probably had ceremonial functions or served as playthings. Smaller whistles in animal shapes, perhaps worn suspended from the neck, frequently have fingerholes that allow variation of pitch. Sometimes, the sound it creates mimics the creature represented. Description: Reddish-brown clay bird-shaped with folded wings, standing on bipodal support, the tail forming mouthpiece, the mouth of whistle on underside at juncture of tail and hollow body which serves as resonating chamber of whistle; 2 fingerholes on upper surface of body on either side of pierced neck; modeled head, "red and black line" geometric ornamentation. (Stewart Pollens and Helen Marr, 1977)