秋季航行 - 美国大都会艺术博物馆展品查阅

品名（中）	秋季航行
品名（英）	Sailing in Autumn
入馆年号	1986年，1986.267.53
策展部门	亚洲艺术（Asian Art）
创作者	Xugu (Zhu Huairen)【1823 至 1896】【中国人】
创作年份	公元 1893
创作地区
分类	绘画（Paintings）
尺寸	14 1/8 x 35 7/8 英寸 (35.9 x 91.1 厘米)
介绍（中）	朱虚白于1851年参军，但他发现自己同情太平天国叛军，便弃籍出家，取名"虚谷"。他漂泊无根，辗转扬州、苏州和上海，卖画。他曾在一家肖像店接受过绘画需求量很大的逼真祖先图像的培训，但他的大多数画作几乎没有提供传统训练的证据。他的创造力在于设计了一种浅色的方式来呈现事物被看到的印象 1870、1880年代，上海的人物画以任颐（1840—1896）为主，山水画以徐谷为主，徐清新的艺术视野提供的是现实的风景，而不是理想化的风景。在这幅河边的场景中，他对低地草地和灌木的粗略印象是新颖的，因为它使用了不规则的、松散连接的笔触，而不是传统的构建有机单元的公式。在前景中，墨水是干的，在远处是湿的和模糊的，以渲染中间薄雾的效果。徐试图画出他所看到的，这是欧洲印象派独立追求的目标。他对传统意图和手法的彻底背离使他的画面具有生动的即时性。
介绍（英）	Zhu Xubai joined the imperial army in 1851, but, finding that his sympathies lay with the Taiping rebels, he deserted and became a monk, taking the name Xu Gu. Alienated and without roots, he traveled between Yangzhou, Suzhou, and Shanghai selling his paintings. He had been trained in a portrait shop to paint the realistic ancestor images much in demand, but the majority of his paintings give little evidence of traditional training. His creativity lies in devising a light coloristic means of rendering the impression of things as they are seen. In the 1870s and 1880s figure painting in Shanghai was dominated by Ren Yi (1840–1896) and landscape painting, by Xu Gu. Xu's fresh artistic vision offered realistic scenery rather than idealized landscapes. In this riverside scene, his sketchy impression of lowland grasses and shrubs is novel in its use of irregular, loosely connected strokes rather than traditional formulas for constructing organic units. In the foreground the ink is dry, in the distance wet and blurred, in order to render the effects of intervening mist. Xu attempted to paint what he saw, a goal independently pursued by the European Impressionists. His radical departure from traditional intent and technique gives his pictures a vivid immediacy.