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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)“井”研究
品名(英)Study for "The Well"
入馆年号1968年,68.115.1
策展部门现代与当代艺术Modern and Contemporary Art
创作者Morton Schamberg【1881 至 1918】【美国人】
创作年份公元 1916
创作地区
分类图画(Drawings)
尺寸5 1/2 × 4 1/2 英寸 (14 × 11.4 厘米)
介绍(中)这幅铅笔画是Schamberg众多描绘机械的作品之一,是对其绘画VII(The Well)(1916;布兰迪斯大学玫瑰美术馆)的高度研究。在家乡费城的宾夕法尼亚大学,Schamberg学习了建筑绘图,包括机械制图;这种教育使他能够仔细观察工业设备,并将其工作原理转化为纸张或画布。他可能也受到了马塞尔·杜尚和达达运动其他艺术家的机器图像的启发。在这一类型的大多数作品中,Schamberg将机器的一个片段隔离在中性背景下,以强调其各部分的抽象模式。这种集中的组合物由自动混合机的轴和缸组成,该混合机可用于混合大量染料、油漆或化学品。这幅画最初归他的朋友查尔斯·希勒所有,Schamberg与他共享一个工作室,并对这种清晰描绘的现代技术感兴趣。
介绍(英)This pencil drawing, one of Schamberg's numerous works depicting machinery, is a highly finished study for his Painting VII (The Well) (1916; Rose Art Museum, Brandeis University). At the University of Pennsylvania, in his native Philadelphia, Schamberg had studied architectural draftsmanship, including mechanical drawing; this education gave him the ability to look closely at an industrial apparatus and the skill to transfer its workings to paper or canvas. He may also have been inspired by the machine imagery of Marcel Duchamp and other artists of the Dada movement. As in most of his works in this genre, Schamberg isolated one segment of a machine against a neutral background, in order to emphasize the abstract pattern of its parts. This centralized composition is comprised of the shaft and vat of an automatic mixing machine, which would have been used for blending large quantities of dyes, paints, or chemicals. This drawing was originally owned by his friend Charles Sheeler, with whom Schamberg shared a studio as well as an interest in such sharply delineated portrayals of modern technology.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。