回廊 - 美国大都会艺术博物馆展品查阅

品名（中）	回廊
品名（英）	Cloister
入馆年号	1925年，25.120.531–.1052
策展部门	修道院（The Cloisters）
创作者
创作年份	公元 1275 - 公元 1399
创作地区	制造于: 法国（Made in: France）
分类	雕塑建筑（Sculpture-Architectural）
尺寸	整体: 54 ft. 3 英寸 x 49 ft. (1,660 x 1,490 厘米)
介绍（中）	这座回廊的L形拱廊由21个双柱头改建而成，上面覆盖着细长的柱子，俯瞰着博物馆令人愉快的草药花园。柱头的装饰大致分为两组：一组是球茎状的叶子，在角落形成突出的卷状物（有时呈两排），另一组是大而扁平的叶子，包裹着柱头的主体。传统上被认为来自图卢兹附近Bonnefonten-Comminges的一座西多会修道院，现在已知至少有九座双柱头（六座安装在这里，一座在特里亚修道院，两座在仓库中）来自塔贝斯的一座13世纪末的方济各会修道院，该修道院于1907-8年被拆除。对剩余雕塑的风格分析支持了长期以来的观点，即它们来自该地区的其他纪念碑回廊花园的布局与中世纪的香草花园相似，没有模仿任何特定的模型，有凸起的床，周围是砖和垂木栅栏。根据中世纪的用途（如药用、烹饪、魔法、家用）对花园中种植的所有植物进行分组和标记，这些植物都是中世纪文献中记载的物种，如九世纪的Capitulare de villis vel curtis emperialibus（《帝国法院管理指令》）。特别令人感兴趣的是中世纪艺术家使用的植物，包括那些为手稿绘画和纺织品染色提供颜料的植物。
介绍（英）	Reconstructed with twenty-one double capitals surmounting slender columns, the L-shaped arcade of this cloister screens the delightful herb garden of the Museum. The decorations of the capitals fall loosely into two groups: those with bulbous leaves forming prominent volutes at the corners (sometimes in two registers), and those with large, flattened foliage hugging the body of the capitals. Traditionally thought to have come from a Cistercian monastery in Bonnefont-en-Comminges near Toulouse, at least nine of the double capitals (six installed here, one in the Trie Cloister, and two in storage) are now known to have come from a late thirteenth-century Franciscan monastery in Tarbes that was demolished in 1907–8. Stylistic analyses of the remaining sculptures support the long-held belief that they came from other monuments in this region. Not copied after any specific model, the layout of the cloister garden approximates that of a medieval herb garden, with raised beds bordered by bricks and wattle fences. Grouped and labeled according to their medieval usage (e.g., medicinal, culinary, magic, household), all of the plants grown in the garden are species documented in medieval sources, such as the ninth-century Capitulare de villis vel curtis imperialibus (Directive for the Administration of Imperial Courts). Of particular interest are the plants used by medieval artists, including those providing pigments for manuscript painting and textile dyeing.