带有报喜、耶稣诞生、耶稣受难和复活场景的双联画 - 美国大都会艺术博物馆展品查阅

品名（中）	带有报喜、耶稣诞生、耶稣受难和复活场景的双联画
品名（英）	Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection
入馆年号	1980年，1980.366
策展部门	修道院（The Cloisters）
创作者
创作年份	公元 1300 - 公元 1325
创作地区	制造于: 德国, 可能是科隆（Made in: Germany, probably Cologne）
分类	搪瓷半透明（Enamels-Translucent）
尺寸	整体 (opened): 2 3/8 x 3 3/8 x 5/16 英寸 (6.1 x 8.6 x 0.8 厘米) 整体 (Closed): 2 3/8 x 1 3/4 x 1/2 英寸 (6.1 x 4.5 x 1.2 厘米)
介绍（中）	作为哥特式金匠作品和珐琅的杰出典范，这幅小型虔诚的双联画通过其精湛的技术和优雅的风格达到了宝石般的品质。十字架和复活的外部场景用半透明的珐琅制作，细节用不透明的珐琅绘制，而报喜和耶稣诞生的内部场景则采用铸造浮雕的形式。双联画通常被认为是巴黎人或科隆工作坊的作品，但更精确的定位不仅因为艺术家的流动性和由此产生的风格传递，而且因为内外翼之间明显的风格差异而变得困难。此外，在圣诞场景中不寻常地出现了一名助产士，这是一种图像特征，在很大程度上似乎来自奥地利。虽然这幅双联画的起源地仍有些不确定，但作品的基本风格特征将其与科隆联系起来。
介绍（英）	An outstanding example of Gothic goldsmiths' work and enameling, this small devotional diptych achieves a gemlike quality through its accomplished technique and graceful style. The outer scenes of the Crucifixion and the Resurrection are executed in translucent enamel with details in opaque enamel, while the inner scenes of the Annunciation and the Nativity are in the form of cast reliefs. The diptych generally has been attributed to either a Parisian or a Cologne workshop, but a more precise localization is made difficult not only by the mobility of artists and the resultant transmission of styles, but also by the palpable stylistic differences between the outer and inner wings. In addition, the unusual inclusion of a midwife in the Nativity scene is an iconographic peculiarity that appears for the most part to have been of Austrian origin. While the place in which this diptych originated remains somewhat uncertain, the essential stylistic qualities of the work link it with Cologne.