带有福音派约翰标志的牌匾 - 美国大都会艺术博物馆展品查阅

品名（中）	带有福音派约翰标志的牌匾
品名（英）	Plaque with the Symbol of the Evangelist John
入馆年号	1917年，17.190.429
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1095 - 公元 1105
创作地区	制造于: 法国, 孔克（Made in: France, Conques）
分类	琺瑯和景泰藍（Enamels-Champlevé & Cloisonné）
尺寸	整体: 4 x 2 3/8 x 1/8英寸 (10.1 x 6.1 x 0.3厘米)
介绍（中）	这块牌匾是一个合奏的一部分，包括四块带有福音传教士符号的牌匾和一个带有十字架的中央圆环，可能来自书籍封面，可以安全地归因于著名的圣福伊朝圣修道院康克斯，这是法国现存最富有的中世纪金匠作品宝库。十九世纪从修道院宝库中分散的几件罕见作品与其他仍在原地的作品共享在十一世纪后期贝贡三世修道院期间独特结合的技术，风格和调色板。对于这些作品，僧侣金匠使用叠加的铜牌，下部用于接收定义特征和帷幔的精致景泰蓝，上部用于描绘人物和十字架的轮廓。该风格的标志包括用于定义眉毛和鼻子的单一景泰蓝以及产生牛舔的细金环。在大都会重建的合奏中，同样显着的牛血颜色被用于圣路加的象征和十字架上方太阳（"太阳"）图像的头发。此外，科学分析已经确定，常见的珐琅成分和相同的金属氧化物被用来对所有五件作品进行着色和不透明。
介绍（英）	This plaque, part of an ensemble including four plaques with the symbols of the evangelists and a central roundel with the crucifixion, probably from a book cover, can be securely attributed to the celebrated pilgrimage abbey of Saint Foy at Conques, France's richest surviving repository of medieval goldsmith's work. Several of the rare works dispersed from the abbey's treasury in the nineteenth century share with others still in situ a technique, style, and palette uniquely combined during the abbacy of Bégon III in the late eleventh century. For these pieces the monk goldsmiths employed superimposed copper plaques, the lower one to receive the delicate cloisons that define features and drapery, the upper one cut to delineate the silhouettes of the figures and the cross. Hallmarks of the style include the single cloison used to define eyebrows and noses and the thin loop of gold that creates cowlicks. In the Metropolitan's reconstituted ensemble, the same remarkable oxblood color was used for the symbol of Saint Luke and the hair of the image of the Sun ("Sol") above the Crucifixion. Furthermore, scientific analysis has determined that common enamel compositions and the same metallic oxides were used to tint and opacify all five pieces.