耶稣被背叛和被捕的救济 - 美国大都会艺术博物馆展品查阅

品名（中）	耶稣被背叛和被捕的救济
品名（英）	Relief of the Betrayal and Arrest of Jesus
入馆年号	1917年，17.120.5
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1264 - 公元 1288
创作地区	制造于: 法国, 皮卡迪, 亚眠（Made in: France, Picardy, Amiens）
分类	雕塑石（Sculpture-Stone）
尺寸	整体: 39 1/4 x 43 x 9 英寸 (99.7 x 109.2 x 22.9 厘米)
介绍（中）	这里生动地展示了耶稣生命最后几个小时的四个关键事件（从左到右）：彼得在切断大祭司的仆人马尔科斯（坐着）的耳朵后出鞘;耶稣奇迹般地恢复了耳朵;犹大用吻背叛了耶稣;和罗马士兵逮捕耶稣。将这些事件压缩到一个场景中，其复杂的人物体量交织在一起，创造了一个强大的雕塑声明。在中世纪教堂中，合唱团屏风将中殿和合唱团区域隔开。到了十三世纪，这些障碍经常被广泛的叙事主题所装饰，尤其是耶稣尘世生活中戏剧性的最后事件受难。由于它们阻碍了平信徒参与教会仪式，大多数欧洲教会最终淘汰了它们。亚眠大教堂的合唱团屏幕于1755年被摧毁。这个浮雕是幸存最大、保存最完好的叙事雕塑之一。
介绍（英）	Four key events in the final hours of Jesus’ life are dramatically shown here (from left to right): Peter sheathing his sword after severing the ear of Malchus (seated), the high priest’s servant; Jesus miraculously restoring the ear; Judas betraying Jesus with a kiss; and Roman soldiers arresting Jesus. The compression of these events into one scene with its complex interweaving of figural masses creates a powerful sculptural statement. In the medieval church the choir screen separated the nave and the choir area. By the thirteenth century these barriers often were decorated with extensive narrative themes, especially the Passion, the dramatic final events in the earthly life of Jesus. Because they hindered participation in church rituals by the laity, most European churches eventually eliminated them. The choir screen at the cathedral in Amiens was destroyed in 1755. This relief is one of the largest and best preserved narrative sculptures to survive.