马背上的勇士 - 美国大都会艺术博物馆展品查阅

品名（中）	马背上的勇士
品名（英）	A Warrior on Horseback
入馆年号	1975年，1975.1.330
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	The Veneto【1425 至 1449】
创作年份	公元 1425 - 公元 1449
创作地区
分类	图画（Drawings）
尺寸	8 1/16 x 5 11/16 英寸 (20.5 x 14.5 厘米)
介绍（中）	这项针对马背战士的研究以前归因于威尼斯艺术家米歇尔·詹博诺（Michele Giambono），因为该主题与圣克里索戈诺（威尼斯圣特罗瓦索）马术人物的大师壁画大致相似。然而，鉴于姿势和风格的差异，这种关系过于笼统，无法将两件作品归咎于同一只手。相反，Giambono的马术画和这项研究似乎都是以同一来源独立建模的：威尼斯圣马可大教堂的古代青铜马。这匹马的姿势，右前腿抬起，头部向右倾斜，以及一些解剖学细节，让人想起威尼斯组中左起的第二匹马。圣马可马是文艺复兴时期马术图像的重要灵感来源，不直接熟悉它们的艺术家可能已经知道小雕像形式的原型。
介绍（英）	This study for a warrior on horseback has formerly been attributed to the Venetian artist, Michele Giambono, due to the general resemblance of the subject to the master’s fresco of the equestrian figure of San Crisogono (San Trovaso, Venice). However, given the differences of pose and style, the relationship is too generic to ascribe the two works to the same hand. It appears instead that both Giambono’s painted equestrian figure and this study were independently modeled on the same source: the ancient bronze horses of the Basilica of San Marco in Venice. The horse’s stance, with its raised front right leg, and head angled toward the right, as well as some anatomical details, recall the second horse from the left in the Venice group. The San Marco horses were a significant source of inspiration for equestrian imagery in the Renaissance, and artists who were not directly familiar with them may have known prototypes in the form of small statuettes.