靠近树林入口的小屋 - 美国大都会艺术博物馆展品查阅

品名（中）	靠近树林入口的小屋
品名（英）	Cottage near the Entrance to a Wood
入馆年号	1975年，1975.1.792
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Rembrandt (Rembrandt van Rijn)【1606 至 1669】【荷兰人】
创作年份	公元 1644
创作地区
分类	图画（Drawings）
尺寸	11 3/4 x 17 15/16 英寸 (29.9 x 45.5 厘米)
介绍（中）	对于一个主要关注人物形象的画家来说，伦勃朗绘制和蚀刻了大量的风景画。这幅靠近树林边缘的小屋景观，虽然在主题上很有特色，但因其流畅的线条、丰富的洗涤和大的规模而在他的风景中是独一无二的。这是艺术家最大的风景画，其中小屋建筑在某种程度上压倒了自然。尽管近年来，在对伦勃朗的作品进行了更严格和系统的评估之后，伦勃朗的画作数量有所减少，但这张令人印象深刻的画品已经站稳了脚跟。这幅画的签名和日期为 1644 年，用与主要元素轻轻勾勒的笔墨相同。画家和地形绘图员兰伯特·杜默（1624-1700）多次复制这幅画。我们可以推测他拥有伦勃朗的原作，因为它可能是装订在杜默在 1657-58 年伦勃朗的录音室效果拍卖期间获得的五张画册之一中。
介绍（英）	For a painter whose primary concern was the human figure, Rembrandt drew and etched a remarkably large number of landscapes. This view of a cottage near the edge of a wood, although characteristic in subject matter, is exceptional among his landscapes for its fluidity of line, profusion of wash, and large scale. This is the artist's largest landscape drawing, and one in which the cottage architecture somewhat overwhelms nature. Although the number of drawings firmly attributed to Rembrandt has diminished in recent years, following more rigorous and systematic evaluations of his drawn oeuvre, this impressive sheet has stood its ground. The drawing is signed and dated 1644 in the same pen and ink used to lightly sketch in the main elements. The painter and topographical draftsman Lambert Doomer (1624-1700) copied this drawing on several occasions. We may surmise that he owned Rembrandt's original, for it was probably bound in one of five drawing albums acquired by Doomer during the auction of Rembrandt's studio effects in 1657-58.