伪塞内卡半身像 - 美国大都会艺术博物馆展品查阅

品名（中）	伪塞内卡半身像
品名（英）	Bust of Pseudo-Seneca
入馆年号	1975年，1975.1.843
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Peter Paul Rubens【1577 至 1640】【佛兰德人】
创作年份	公元 1600 - 公元 1626
创作地区
分类	图画（Drawings）
尺寸	10 7/16 x 6 15/16 英寸 (26.5 x 17.7 厘米)
介绍（中）	鲁本斯对古典古代和意大利文艺复兴有着深入的了解，1600年至1608年在意大利期间，他对这些主题非常熟悉。这位佛兰德大师在文艺复兴后创作了许多绘画作品和古董作品。鲁本斯在他的论文《模仿雕像论》中主张对古代雕塑有深刻的认识和选择性的模仿。他还收藏了一批重要的古董半身像。其中有一幅著名的罗马肖像画，当时被认为代表了斯多葛派哲学家塞涅卡，出现在他的许多绘画、版画和素描中。这张纸是根据塞涅卡半身像绘制的，是为1638年完成的一系列描绘十二位著名古希腊人和罗马人肖像的版画做准备。有人认为，这幅黑色素描是鲁本斯的手画的，而钢笔画随后是由一名助手添加的。
介绍（英）	Rubens was deeply engaged with classical antiquity and the Italian Renaissance - subjects with which he acquired close familiarity during a stay in Italy from 1600 to 1608. The Flemish master produced numerous drawn copies after Renaissance and antique works. In his treatise, De Imitatione Statuarum (On the Imitation of Statues) Rubens argues for a profound knowledge and selective imitation of ancient sculpture. He also amassed an important collection of antique portrait busts. Among these is a celebrated Roman portrait then believed to represent the Stoic philosopher Seneca, which appears in a number of his paintings, prints, and drawings. This sheet, drawn after the Seneca bust, was preparatory for a series of engravings depicting portraits of twelve famous ancient Greeks and Romans, completed in 1638. It has been suggested that the black sketch is by Rubens’ hand, while the pen drawing was subsequently added by an assistant.