勃艮第的玛丽 - 美国大都会艺术博物馆展品查阅

品名（中）	勃艮第的玛丽
品名（英）	Mary of Burgundy
入馆年号	1975年，1975.1.137
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Master H.A. or A.H.【1520 至 1530】【奥地利人】
创作年份	公元 1528
创作地区
分类	绘画（Paintings）
尺寸	17 5/8 x 12 3/16 英寸 (44.8 x 31 厘米); painted surface 17 5/16 x 12 英寸 (43.9 x 30.5 厘米)
介绍（中）	勃艮第公爵夫人玛丽（1457-1482）是皇帝马克西米利安一世的第一任妻子，她于1477年结婚。她戴着一顶高高的勃艮第指甲花或尖顶头饰，这是1470年代时尚的特征。她额头上沉重的材料带被一个独特的装饰扣别在圆锥形头饰的底部。三条项链，其中最显眼的是金色的，在保姆苍白的皮肤衬托下格外显眼。她的特征与马克西米利安对他的年轻新娘的描述非常吻合，她有着"雪白色的肤色，棕色的头发和灰色的眼睛，美丽而明亮……嘴巴很高，但清晰而红色…"雷曼肖像被归为大师H.a.或a.H.是基于面板背面的花押字，直到最近的技术调查，被藏在后来的一幅圣母画下面。面板上还有其他四幅类似的公爵夫人肖像，可能都是基于一个丢失的原型。博物馆的肖像画可以追溯到15世纪20年代末，证明了勃艮第玛丽去世后很长一段时间内的肖像画都很受欢迎。由于哈布斯堡王朝将他们的荷兰领土归功于马克西米兰和玛丽之间的婚姻，即使在1519年马克西米兰去世后，她的肖像仍然具有历史意义。
介绍（英）	Mary, duchess of Burgundy (1457–1482), was the first wife of Emperor Maximilian I, whom she married in 1477. She wears a tall Burgundian hennin, or steeple headdress, characteristic of 1470s fashion. The heavy band of material over her forehead is pinned to the base of the conical headdress by a distinctive agrafe (ornamental clasp). Three necklaces, the most conspicuous of which is made of gold, stand out against the sitter's pale skin. Her features closely match Maximilian's description of his young bride, who had a "snow white complexion, brown hair and gray eyes, pretty and bright … The mouth is rather high, yet clear and red …" The attribution of the Lehman portrait to Master H.A. or A.H. is based on a monogram on the reverse of the panel that, until recent technical investigation, had been hidden beneath a later painting of the Virgin. There are four other similar profile portraits on panel representing the duchess—all probably based on a lost prototype. The Museum's portrait, which dates to the late 1520s, attests to the popularity of images of Mary of Burgundy well after her death. Since the Habsburgs owed their Netherlandish territories to the marriage between Maximilan and Mary, her portrait continued to have historical significance even after Maximilian's death in 1519.