《一个人的肖像》，可能是贝纳迪诺·戈扎迪尼的《马特奥·迪塞巴斯蒂亚诺》 - 美国大都会艺术博物馆展品查阅

品名（中）	《一个人的肖像》，可能是贝纳迪诺·戈扎迪尼的《马特奥·迪塞巴斯蒂亚诺》
品名（英）	Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini
入馆年号	1975年，1975.1.95
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Maestro delle Storie del Pane【1470 至 1500】
创作年份	公元 1494
创作地区
分类	绘画（Paintings）
尺寸	整体 20 3/4 x 14 5/8 英寸 (52.7 x 37.1 厘米); painted surface 19 3/8 x 14 英寸 (49.2 x 35.6 厘米)
介绍（中）	这幅肖像及其吊坠（1975.1.96）代表了博洛尼亚戈扎迪尼家族的一对夫妻;家族的徽章在两幅画中都非常突出。背景中贯穿两块面板的铭文建筑楣板证明了肖像的纪念功能：VT SIT NOSTRA FORMA SVPERSTES（为了使我们的特征得以生存）。这些肖像可能是为了庆祝订婚或婚姻而制作的，其中包含许多对爱情和婚姻的暗示，例如男性保姆拿着的被称为粉红色的花朵喷雾，以及他妻子拿着的水果（也许是榅桲）。男性肖像左下方的鹈鹕和凤凰分别指慈善和复活 - 基督教美德在这里与婚姻圣事有关。在女性肖像的右下角是两只兔子和一个女孩面对独角兽，前者意味着生育力，后者意味着贞操。
介绍（英）	This portrait and its pendant (1975.1.96) represent a husband and wife of the Gozzadini family of Bologna; the family's coat of arms appears prominently in both paintings. The inscribed architectural frieze in the background, which runs across both panels, attests to the commemorative function of the portraits: VT SIT NOSTRA FORMA SVPERSTES (In order that our features may survive). Probably made to celebrate a betrothal or marriage, the portraits contain numerous allusions to love and matrimony, such as the spray of flowers, known as pinks, held by the male sitter, and the fruit (perhaps a quince) held by his wife. The pelican and phoenix at lower left of the male portrait refer respectively to charity and resurrection - Christian virtues here associated with the sacrament of marriage. In the lower right corner of the female portrait are two rabbits and a girl confronting a unicorn, the former connoting fecundity and the latter chastity.