麦当娜与圣杰罗姆、贝纳迪诺、施洗约翰、帕多瓦的安东尼和两个天使的孩子 - 美国大都会艺术博物馆展品查阅

品名（中）	麦当娜与圣杰罗姆、贝纳迪诺、施洗约翰、帕多瓦的安东尼和两个天使的孩子
品名（英）	Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua and Two Angels
入馆年号	1975年，1975.1.42
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Sano di Pietro (Ansano di Pietro di Mencio)【1405 至 1481】【意大利人】
创作年份	公元 1462 - 公元 1473
创作地区
分类	绘画（Paintings）
尺寸	整体, with engaged frame, 29 1/8 x 20 3/8 英寸 (74 x 51.8 厘米); painted surface 24 3/8 x 15 5/8 英寸 (61.9 x 39.7 厘米)
介绍（中）	Sano di Pietro是一位受欢迎且多产的锡耶纳画家和照明师，他的工作室制作了许多圣母玛利亚和圣婴的虔诚图像，经常以半身像的长度展示，并伴随着圣人和天使。萨诺和神秘的锡耶纳艺术家奥塞万扎大师的作品在风格上有着密切的相似性，这可能表明他们代表了一种单一的艺术身份。也有可能，奥塞万扎大师的画作是这些艺术家所属的合作工作室的产物基督之子手持象征复活的金翅雀，左手放在圣母礼服的刺绣衣领上。陪同他们的有圣徒杰罗姆、贝尔纳多、施洗约翰、帕多瓦的安东尼和两位天使。圣母和圣婴头像的设计在萨诺工作室的画作中以一定的频率再次出现，暗示使用卡通（全尺寸绘画）来转移图像。框架被雕刻成五个部分，并与面板接合。圣徒和天使的光环中也使用了同样的冲压工具来装饰框架。
介绍（英）	Sano di Pietro was a popular and highly prolific Sienese painter and illuminator, whose workshop produced numerous devotional images of the Madonna and Child, frequently shown in bust-length and accompanied by saints and angels. The close stylistic affinities between works attributed to Sano and the enigmatic Sienese artist known as the Osservanza Master may indicate that they represent a single artistic identity. It is also possible that the paintings attributed to the Osservanza Master are the product of a collaborative workshop to which these artists belonged. The Christ Child holds a goldfinch symbolizing the Resurrection, while resting his left hand on the embroidered collar of the Virgin’s dress. They are accompanied by Saints Jerome, Bernardino, John the Baptist, Anthony of Padua, and two angels. The design for the heads of the Virgin and Child reappears with some frequency in paintings by Sano’s workshop, suggesting the use of a cartoon (full-scale drawing) to transfer the image. The frame is carved in five sections and engaged to the panel. The same punch tools used to decorate the frame were employed in the halos of the saints and angels.