东部小树林的夏季度假 - 美国大都会艺术博物馆展品查阅

品名（中）	东部小树林的夏季度假
品名（英）	Summer retreat in the eastern grove
入馆年号	1989年，1989.363.60
策展部门	亚洲艺术（Asian Art）
创作者	Wen Zhengming【1470 至 1559】【中国人】
创作年份	公元 1512
创作地区
分类	绘画（Paintings）
尺寸	图像 (painting): 12 1/2 × 42 1/2 英寸 (31.8 × 108 厘米) 图像 (colophon): 12 1/2 × 38 3/8 英寸 (31.8 × 97.5 厘米) 整体 with mounting: 13 英寸 × 9 ft. 9 1/2 英寸 (33 × 298.5 厘米)
介绍（中）	这首诗是用黄廷坚（1045-1105）的奔写体写成的，是温家宝附在这幅画上的两首诗之一。这两篇课文都揭示了温正明早期对北宋大师大型书法的研究。文正明毕生致力于对宋元书画表现传统的复兴和创造性重新诠释。温家宝特别欣赏黄廷坚的写作风格，这是他从导师沈周（1427-1509）那里获得的热情。温家宝大胆的书法与宫廷官僚实行的官方认可的标准文字风格形成鲜明对比，反映了他的独立性。温家宝最后的序言解释了诗歌创作的环境。温家宝于1512年为他的朋友钱同爱（1475-1549）写了这首诗。这些诗随后被天王寺住持南洲收购。1515年，温家宝访问南州时，看到了他的诗歌，并附上了他的诗歌。
介绍（英）	This poem, written in the running-script style of Huang Tingjian (1045–1105), is one of two poems by Wen appended to this painting. Both texts reveal Wen Zhengming's early study of the Northern Song master's large-scale calligraphy. Wen Zhengming devoted his life to the revival and creative reinterpretation of the expressive traditions of Song and Yuan painting and calligraphy. Wen particularly admired the writing style of Huang Tingjian, a passion he acquired from his mentor Shen Zhou (1427–1509). Wen's bold calligraphy stands in marked contrast to the officially sanctioned standard-script style practiced by court bureaucrats and reflects his independent nature. A final colophon by Wen explains the circumstances surrounding the poems' creation. Wen wrote the poems in 1512 for his friend Qian Tongai (1475–1549). The poems were subsequently acquired by Nanzhou, abbot of the Tianwang Temple. When Wen visited Nanzhou in 1515 he saw his poems and appended his colophon.