舞蹈演员 - 美国大都会艺术博物馆展品查阅

品名（中）	舞蹈演员
品名（英）	Dancers
入馆年号	1929年，29.100.501–.506
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1667 - 公元 1733
创作地区
分类	绘画（Paintings）
尺寸	50 3/16 英寸 × 11 ft. 4 5/16 英寸 (127.5 × 346.2 厘米)
介绍（中）	屏幕上的男演员和女演员都穿着装饰华丽的犹太颂歌。服装上的发型和装饰图案反映了干本时期（1661–72）的时尚潮流，尽管这幅作品可能绘制得稍晚。人物形象的均衡呈现体现了日本舞蹈的优雅和含蓄。它还指出了粉丝在表演整体方案中的重要性，并展示了服装上流动的袖子是如何用来强调舞者创造的流畅线条的日本舞蹈在17世纪经历了一次转变。在德川幕府营造的严格的环境中，宗教和节日主题在之前的舞蹈形式中有所减少。古老的传统被吸收并转化为不同的舞蹈，并融入其他表演艺术，最著名的是歌舞伎，它最初是一种女性舞蹈表演形式，后来不断发展。左边的两个人物似乎是年轻的歌舞伎男演员。在日益兴起的城市环境中，这些新的舞蹈形式越来越受欢迎这些面板最初是一对六面板折叠屏幕的一部分。在某个时刻，面板被分离，一些面板丢失了。现在的屏幕是幸存面板的组合。
介绍（英）	The male and female performers on this screen wear sumptuously decorated kosode. The hairstyles and decorative motifs on the costumes reflect fashion trends of the Kanbun period (1661–72), though the work might have been painted slightly later. The well-balanced presentation of figures embodies the elegance and reserved movements of Japanese dance. It also points to the importance of fans in the overall scheme of a performance and demonstrates how the flowing sleeves of a costume were used to accent the fluid lines created by dancers. Japanese dance underwent a transition during the seventeenth century. The religious and festival themes that had characterized prior dance forms declined in the regimented environment created by the Tokugawa shogunate. Older traditions were absorbed and transformed into different dances and incorporated into other performing arts, most notably Kabuki, which began as a form of female dance performance and evolved. The two figures to the left appear to be young male Kabuki actors. Within the rising urban milieu, these new dance forms grew in popularity. The panels were originally part of a pair of six-panel folding screens. At some point, the panels were seperated and some were lost. The present screen is a combination of the surviving panels.