秋草 - 美国大都会艺术博物馆展品查阅

品名（中）	秋草
品名（英）	Autumn Grasses
入馆年号	1972年，1972.180.1, .2
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1600 - 公元 1649
创作地区
分类	绘画（Paintings）
尺寸	整体 (each screen): 60 5/16 英寸 x 11 ft. 5 9/16 英寸 (153.2 x 349.4 厘米)
介绍（中）	种植花园以唤起秋天野花的荒芜田野，激发了许多媒体中的诗人和艺术家的灵感：绘画、陶瓷、油漆和纺织品。Eulalia和日本灌木三叶草是秋季植物中最受欣赏的，因为它们在风中摇曳时呈现出野性和丰富的外观，以及枯萎时的忧郁许多与这对屏幕相似的屏幕都被认为是由长谷川Tōhaku（1539–1610）创立的长谷川学校。对草的高度戏剧性的描绘，它们有节奏地排列成丛，底部倾斜，暗示着空间的衰退，这表明这些屏幕是由17世纪上半叶的长谷川画家创作的。为了创造他们的标志性表现模式，长谷川艺术家们下定决心，吸收所有可用的绘画技术，从著名的土佐派风格到现成的绘画商店雇佣的艺术家所使用的方法。他们和他们的赞助人特别喜欢秋天的草。
介绍（英）	Gardens planted to evoke deserted fields of autumn wildflowers inspired poets and artists in many media: painting, ceramics, lacquer, and textiles. Eulalia and Japanese bush clover were the most appreciated of the autumn plants for their appearance of wildness and abundance when waving in the wind, as well as for their suggestion of melancholy when withered. Many screens similar to this pair have been attributed to the Hasegawa school, founded by Hasegawa Tōhaku (1539–1610). The highly dramatic depiction of the grasses—with their rhythmic arrangement into clumps and sharp angling at the bottom to hint at a recession into space—suggests that the screens were produced by a Hasegawa painter in the first half of the seventeenth century. To create their signature mode of representation, Hasegawa artists made determined efforts to assimilate all available techniques of painting, from the famed Tosa-school style to methods used by artists employed by ready-to-sell painting shops. They and their patrons especially favored the subject of autumn grasses.