鸟和花 - 美国大都会艺术博物馆展品查阅

品名（中）	鸟和花
品名（英）	Birds and Flowers
入馆年号	1914年，14.76.62a–f
策展部门	亚洲艺术（Asian Art）
创作者	Kano Tan'yū【1602 至 1674】【日本人】
创作年份	公元 1600 - 公元 1699
创作地区
分类	绘画（Paintings）
尺寸	70 英寸 x 12 ft. 11 1/2 英寸 (177.8 x 395 厘米)
介绍（中）	这六幅丝绸画汇集了著名江户卡诺画家Tan'yú和他的两位最有才华的学生：他的侄子卡诺直信和女画家Kiyohara Yukinobu的花鸟画。大师画了两块中央的面板，直野部是紧挨着老师右边和左边的面板，Yukinobu是最外面的面板 Tan'ý被认为复兴了卡诺工作室的命运，并于1614年从京都搬到了江户（德川幕府的总部所在地）。和田一样，直野部被认为是江户时代早期最顶尖的卡诺画家之一。1630年，他被幕府将军召集到江户，并成立了卡诺工作室的Kobikichō分支机构。Yukinobu，也许是江户时代最有才华的女画家，据说是Tan'yú的侄女和著名画家Kusumi Morikage（约1620–1690）的女儿。和她的父亲一样，她以个人的方式重新创作了室町水墨画的传统主题十九世纪末或二十世纪初的某个时候，这些画被一起安装在现在的屏风上，屏风上有木板和华丽的透雕。
介绍（英）	The six paintings on silk bring together bird-and-flower paintings of the celebrated Edo Kano painter Tan’yū and two of his most talented pupils: his nephew Kano Naonobu and the female painter Kiyohara Yukinobu. The master painted the two central panels, Naonobu the ones immediately to the right and left of his teacher’s, and Yukinobu the outermost ones. Tan’yū is credited with reviving the fortunes of the Kano studio, and moved from Kyoto to Edo (where the Tokugawa Shogunate was based) in 1614. Along with Tan’yū, Naonobu was considered one of the top Kano painters of the early Edo period. In 1630, he was summoned to Edo by the Shogun, and established the Kobikichō branch of the Kano studio. Yukinobu, perhaps the most talented female painter of the Edo period, is said to have been a daughter of Tan’yū’s niece and the celebrated painter Kusumi Morikage (ca. 1620–1690). Like her father, she reworked conventional themes from Muromachi ink painting in a personal manner. Sometime in the late nineteenth or early twentieth century, the paintings were mounted together on the present screen, which features wood panels with ornate openwork carving.