基督教主题书皮 - 美国大都会艺术博物馆展品查阅

品名（中）	基督教主题书皮
品名（英）	Bookcover with Christian Themes
入馆年号	1934年，34.23
策展部门	伊斯兰艺术（Islamic Art）
创作者
创作年份	公元 1825 - 公元 1875
创作地区	归属于: 伊朗（Attributed to: Iran）
分类	油漆（Lacquer）
尺寸	高 11 1/8 英寸 (28.3 厘米) 宽 6 1/2 英寸 (16.5 厘米)
介绍（中）	至少从15世纪起，在清漆下在粉彩板上绘画的技术就被用于波斯装订。该技术起源于中国，在帖木儿王朝霸权时期，由于与中国的接触扩大，该技术被传播到伊朗。然而，16世纪和17世纪萨非王朝伊朗采用这种技术并发展起来的是画家，而不是装订工。在赞德和贾尔时期，书籍封面的漆画越来越受欢迎，这也与皮革装订的生产逐渐衰落相吻合。这里的装订反映了这一时期欧洲艺术对波斯绘画的普遍影响。从风格上讲，欧洲的影响在色彩的渐变应用、人物和物体的造型、透视规则的观察、阴影的使用以及大气效果方面都很明显。从主题上讲，圣经场景的灵感来源于欧洲以宗教版画或绘画形式出现的模型。这本书的封面可能是纳贾夫·阿里圈子里的一位卡塔尔艺术家的作品。
介绍（英）	The technique of painting on pasteboard under lacquer varnish has been utilized in Persian bookbinding from at least the fifteenth century. Originating in China, the technique was transmitted to Iran as a result of the expanded contacts with China during the Timurid hegemony. However, painters, and not bookbinders, were responsible for the adoption of the technique and its development in sixteenth- and seventeenth-century Safavid Iran. Lacquer painting for book covers gained greater popularity during the Zand and Qajar periods, which also coincides with a gradual decline in the production of leather binding. The bookbinding here reflects the pervasive influence of European art on Persian painting in this period. Stylistically, the European impact is evident in the gradations application of color, the modeling of figures and objects, the observation of the rules of perspective, the use of shading, as well as the atmospheric effects. Thematically, biblical scenes were inspired by the availability of European models in the form of devotional prints or paintings. The book cover is probably by a Qajar artist in the circle of Najaf Ali.