微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)带书写的罐子
品名(英)Jar with Writing
入馆年号1933年,33.175.177
策展部门伊斯兰艺术Islamic Art
创作者
创作年份公元 700 - 公元 999
创作地区发现或挖掘于: 伊朗, Qasr-i Abu Nasr(Found/excavated: Iran, Qasr-i Abu Nasr)
分类陶瓷制品(Ceramics)
尺寸高 5 英寸 (12.7 厘米) 直径 3 11/16 英寸 (9.3 厘米)
介绍(中)这个罐子是在Qasr-i Abu Nasr发掘的,这是一个考古遗址,现在隶属于伊朗南部的现代设拉子。小镇和要塞位于保护山脉、水源和通往平原的道路交汇处的战略要地。从帕提亚时期(公元前3世纪-公元3世纪)到穆扎法里德时期(公元13-14世纪),该遗址至少间歇性地被占领,可追溯到萨珊王朝晚期(公元6世纪至7世纪)。


该遗址由大都会艺术博物馆的考古学家在1932年至1935年间挖掘了三个季节,受到阿契美尼德时期(公元前550年至330年)竖立的纪念性门道的诱惑。研究主要集中在该遗址的前伊斯兰遗迹上,尽管物证证实了伊斯兰时期的持续占领


发掘表明,阿契美尼德的门道是从波斯波利斯(位于东北约50公里处的皇家遗址)拿走的建筑孢子,很可能是在10世纪,用来在Qasr-i Abu Nasr建造一座新建筑。使用早期建筑材料的做法,尤其是来自波斯波利斯这样一个极具象征意义的地方的建筑材料,反映了当地布依王朝统治者(945–1055)的特殊兴趣,他们试图通过与他们所在地区法尔斯的帝国历史联系,使他们的存在合法化。当时的历史和钱币来源告诉我们,该镇是一个纺织制造中心,有一个活跃的铸币厂。这座建筑周围似乎形成了一座墓地,很可能在15世纪之前一直是一座圣地


这个双柄罐子上有黑色墨水的铭文,垂直书写,覆盖了整个容器的主体。尽管很难破译,但铭文似乎重复了类似的短语,可能使用了巴斯马拉(以上帝的名义)的公式,这种模式让人想起了早期碗上以及伊斯兰时期各种媒体上的魔法和护身符装置上的比喻文字。这个罐子和一个类似的例子(33.175.178)一起在布依王朝时期的建筑附近被发现。如果这确实是一个圣地,如果发现的位置与罐子的使用有关,那么很容易认为对空间的虔诚使用与这些魔法容器的功能有关。
介绍(英)This jar was excavated at Qasr-i Abu Nasr, an archaeological site now attached to modern Shiraz in southern Iran. The small town and fortress were located at a strategic point at the intersection of protective mountains, water sources, and along roads entering the plain. The site was occupied, at least intermittently, from the Parthian period (3rd century B.C.–3rd century A.D.) to the Muzaffarid period (13th–14th century A.D.). The major occupation, including the extensive fortress, dates to the Late Sasanian period (6th–7th century A.D.).


The site was excavated by archaeologists from The Metropolitan Museum of Art for three seasons from 1932–1935, enticed by the presence of standing monumental doorways of the Achaemenid period (550–330 B.C.). Research was focused mostly on the site’s pre-Islamic remains, even though the material evidence confirmed the continued occupation in the Islamic period.


The excavation revealed that the Achaemenid doorways were architectural spolia that had been taken from Persepolis, the royal site that is located about 50 kilometers to the northeast, to erect a new structure at Qasr-i Abu Nasr, most likely in the tenth century. The practice of using earlier building materials, especially from such a highly symbolic place as Persepolis, reflects the specific interest of the local Buyid rulers (945–1055) who sought to legitimize their presence through associations with the imperial past of their region, Fars. Historical and numismatic sources of the time inform us that the town was a textile manufacture center and had an active mint. The building, around which a cemetery seems to have developed, most likely functioned as a shrine up to the 15th century.


This double-handled jar bears inscriptions in black ink, written vertically to cover the entire vessel’s body. Although difficult to decipher, the inscriptions seem to repeat similar phrases, possibly with the formula basmala (in the name of God), a pattern that recalls the apotropaic writings on earlier bowls and on Islamic-period magic and talismanic devices in a variety of media. The jar was found together with a similar example (33.175.178) near the Buyid-period building. If this was indeed a shrine, and if the finding location relates to the jars’ use, it is tempting to suggest that the devotional use of the space was connected to the function of these magic vessels.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。