景观、人物和花卉 - 美国大都会艺术博物馆展品查阅

品名（中）	景观、人物和花卉
品名（英）	Landscapes, Figures, and Flowers
入馆年号	1985年，1985.121a–l
策展部门	亚洲艺术（Asian Art）
创作者	Chen Hongshou【1598 至 1652】【中国人】
创作年份	公元 1618 - 公元 1622
创作地区
分类	绘画（Paintings）
尺寸	图像: 8 3/4 × 3 5/8 英寸 (22.2 × 9.2 厘米) Inscription: 8 3/4 × 3 5/8 英寸 (22.2 × 9.2 厘米)
介绍（中）	这本精美的画册创作于陈洪寿二十至二十四岁之间，题材广泛，用笔异常讲究，足以证明他是一位年轻神童。专辑完成后不久，著名的鉴赏家兼艺术家陈继儒在专辑中的几片叶子的对面添加了他的评论，进一步证实了陈洪寿在同时代人中的认可在第一片叶子中，一个无人照料的花园的荒凉景象展现了一个强大的形象，即在明朝被满清推翻的二十五年前，腐朽影响了晚明社会。在陈的题词中，他问道："有人注意到了吗？"在随后的叶子中，陈唤起了李公麟（约1041-1106）的单色绘画（白庙）的人物风格，倪赞（1306-1374）的枯树，王蒙（约1308-1385）的云状山脉，钱玄（约1235年至1307年之前）的古代"蓝绿"山水揭示了他对过去成语的掌握以及他对早期学者隐居艺术家的喜爱，而对桂林孤峰的描绘则揭示了陈早期对古怪的专业艺术家吴斌（约1583年至1626年）的奇异山水的兴趣。
介绍（英）	This exquisite album, done when Chen Hongshou was between twenty and twenty-four, exhibits a broad range of subject matter and an extraordinarily fastidious brush style that attest to his reputation as a youthful prodigy. Not long after the album was completed, the noted connoisseur and artist Chen Jiru added his critical comments opposite several of the leaves in the album, a further confirmation of Chen Hongshou's recognition among his contemporaries. In the first leaf, the bleak scene of an untended garden presents a powerful image of the decay infecting late Ming society just twenty–five years before the dynasty was toppled by the Manchus. In his accompanying inscription Chen asks, "Does anybody notice?" In subsequent leaves, Chen's evocations of Li Gonglin's (ca. 1041–1106) monochrome drawing (baimiao) figural style, Ni Zan's (1306–1374) dry trees, Wang Meng's (ca. 1308–1385) cloudlike mountains, and Qian Xuan's (ca. 1235–before 1307) archaic "blue-and-green" landscapes reveal his command of past idioms and his affinity for earlier scholar-recluse artists, while a depiction of the Solitary Elegant Peak in Guilin reveals Chen's early interest in the fantastic landscapes of the eccentric professional artist Wu Bin (ca. 1583–1626).