圆形吊坠中的女孩肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	圆形吊坠中的女孩肖像
品名（英）	Portrait of a Girl in a Round Pendant
入馆年号	1920年，20.106.2
策展部门	伊斯兰艺术（Islamic Art）
创作者
创作年份	公元 1775 - 公元 1825
创作地区	归属于: 伊朗（Attributed to: Iran）
分类	珠宝（Jewelry）
尺寸	直径 1 5/16 英寸 (3.3 厘米)
介绍（中）	伊朗Qajar的珐琅是具象的，在风格上与同一时期的油画非常相似。年轻人和恋人的场景是这些珐琅上描绘的典型主题。油画和珐琅都是服饰和珠宝中流行风格的珍贵文献。像这样的圆形或椭圆形搪瓷牌匾通常被放置在水管或其他实用物品中。然而，这个吊坠背面的雕刻可能表明它被用作护身符。雕刻的顶部线条由一系列箭头状的符号组成，这些符号由垂直笔画分隔；接下来的六行由九到十六个数字组成，可能具有神秘的意义。最下面的三行包含铭文："真主！真主！穆罕默德[先知]/阿里·伊本·阿比·塔利布/（Quli？）。"底线是否是签名（Quli一词的意思是"奴隶"，在伊朗是一个常见的名字）尚不清楚。
介绍（英）	The enamels of Qajar Iran are figurative, and closely resemble in style oil paintings produced during the same period. Scenes of youth and lovers are typical subjects depicted on these enamels. Both the oil paintings and enamels are valuable documents of prevalent styles in costume and jewelry. Round or elliptical enamel plaques such as this were commonly set into water pipes or other utilitarian objects. The engravings on the back of this pendant, however, may indicate that it was used as a talisman. The top line of engraving consists of a series of arrowlike signs separated by vertical strokes; the next six lines consist of an uninterrupted series of from nine to sixteen numbers, probably of occult significance. The bottom three lines contain the inscription: "Allah! Allah! Muhammad [the] Prophet/'Ali ibn Abi-Talib/ (Quli?)." Whether or not the bottom line is a signature (the word quli means "slave" and was a common name in Iran) is not known.